How we learn to make a magazine pt.1

Everybody that’s been with us from the beginning knows that we, collectively, knew nothing about running a magazine when this whole adventure started, right?  Nothing. The big ZERO (coincidentally, the same of stitches I’ve knit in the last month). I hadn’t the foggiest what made Amy Clark Moore and Linda Cortright so tired.  Now I do.  It’s a big job.  It’s not really that any one part is super duper scratch-you-head-difficult, but it’s complex – so many independent things all mashed together, happening at the same time, commanding your attention and running around in your brain like one of those tickers on time square.

I thought it might be interesting to blog about the process.  Let y’all see what goes on back here, behind the PLY curtain.  A kind of how-we-learn-to-run-a-magazine series, real-time.  It could be good.  At the very least it’ll give me a bird’s eye view of the process and maybe help me figure out ways to do it better.  Maybe you will have suggestions!

I should start with explaining the work schedule — Kitten and I have 3 kids together and we have a week on/week off schedule, both with the kids and with work.  Meaning that I get the kids for a week while he works and he gets them for a week while I work.  Kids for a week, work for a week.  Pretty great arrangement, I know. This week he has the kids so he’s doing Shakespeare camp, trips to the pool, and reading lessons and I’m working.

Now let’s set the PLY stage — right now we’re in the middle of a cycle, but we’re also at the beginning of a cycle, and  we’re at the very very beginning of another cycle.  There’s a lot of cycles.  A cycle of cycles, you might say…

The middle of the cycle part is the Autumn 2014 issue, due out in September (the Community issue).  The beginning of the cycle part is the Winter 2014 issue, due out in December (the Worsted issue).  And the very very beginning of the cycle is the Summer 2015 cycle, which might seem strange since I didn’t mention Spring 2015, it’s in there too but I don’t have to do much with it for a bit.

Let’s begin with the Autumn 2014 issue.  I’m not doing much on it except waiting! I said we’re in the middle of its cycle.  It’s actually a bit past middle.  It’s at Kitten’s right now.  Last week he started design, illustrations, and layout, he’ll continue it next week, as well. I’ll have more work to do on it after that but I don’t have much to do with his process.  I trust him completely and it always comes back to me looking amazing.

What I am working on this week is the issue after that – Winter 2014, the Worsted issue.  The authors that wrote for it had 2 separate due dates 2 weeks apart and the second batch of articles just came in. I have to say that it’s going to be a fantastic issue.  I’m deep in the initial edits and author-returns.  I read through, leave comments and questions for the authors, and then send it back to them. The article often goes back and forth several times before it moves to the next step.

When I get it back the last time, I read through it on it’s own, as a stand-alone piece, check if it needs any changes, anything rearranged, titled etc.  Once I read through all of them like that, I read through them all again as a whole, as a magazine, and make sure we don’t repeat the same info over and over again.  That’s one of the things that can happen with a themed magazine. If everyone is talking about silk, lots of articles will have similar introductions or the same background information (silk production, micron count etc.).  I try to minimize that and if I don’t catch it all, Levi or Kitten does later on.

So that’s what I’m doing this week with the Winter 2014 issue, reading through some articles for the 1st time and some articles after they’ve come back from the author for the 1st, 2nd, or 3rd time.

I told you we were at the very very beginning of the Summer 2015 cycle, right?  That’s the other thing I’m doing.  The mood board went out a few weeks ago and article/project proposals come in each day (you still have time to submit, by the way).  In my e-mail client each issue has a folder and each issue’s folder has a “yes” “no” and “maybe” folder.  As the proposals come in I put them in these folders.  The no and maybe proposals eventually go into a “prospective ideas” folder but for now they stay in case I can use them afterall.  Yes that’s a photo of my actual e-mail client.  It’s crazy in there.  Over 100 folders!  Am I the only one that does this? Every so often I go in and try to make it more manageable, rearrange and rename but it always grows and grows.

Other random tasks this week:

  • Talk to web-guy about subscription management software.
  • Pack and mail this week’s back issues (usually about 5 hours).
  • Editorial meeting tomorrow where we’ll talk about website, current issue, and future themes.
  • Write my article for the worsted issue.
  • Run credit cards for all the advertisers and wholesalers that have one on file.
  • Listen to 54 new voicemails regarding subscriptions.
  • Plan Winter photo-shoot (locations and date).
  • Answer last week’s e-mails.
  • Put up a couple of new questions on the FAQ.
  • Contact Zinio again about PLY (argh, they won’t respond!)
  • Send check to printer for reprint.
  • Send in quarterly payroll taxes.
  • get people to post their tipjar tips for the Winter issue.
  • sell our new webads (you know, the ones you see over there to the right, they’re helping us offset the fact that we don’t have many ads in the magazine).

Plus I’ve got to garden.  The vine borers may have taken the squash (any advice on this is welcome too) but the tomatoes are in full harvest mode!

ps.  please don’t think this post is in any way complain-y or woe-is-me.  I love love love my job.

xo,

jacey

 

 

 

 

 

 

handspun yarn and shawl

PLY’s wishlist for photoshoots

You may have noticed that we try to do most of the photography in  house.  That’s not just because Bernadette has mad photo skills, but also because I really think it gives an issue a cohesive, beautiful feel.  Of course, there are always things we can’t shoot — photos about a location, about a person, about a festival, or about a technique we just don’t know at all.  Generally though, we try and shoot as much as we can.

A problem we run into is that sometimes we don’t have the equipment needed to bring to life a particular article.  For instance, see that little wpi tool in the photo?, the cute little sheepie one from The Clay Sheep?  I had to use that in 2 back to back issues because I didn’t have another WPI tool!  Not that I minded, it’s super adorable, but still, you see what I mean.

We’re pretty solidly stocked on wheels, PLY now has a large assortment of wheels so if an author mentions a wheel, we’re likely to be able to use it in the photoshoot.  If we don’t have the model, we at least have the make, you know?  Things we’re not so stocked on is all the other stuff, some big, some small.  So, here’s just some of the things we wish we had on hand for photoshoots, our wishlist, if you will:

  • wool combs: 4-pitch and 2-pitch; english, viking, dutch
  • mini wool combs
  • flickers
  • hand cards
  • small hackle
  • various types of spindles (we really need support, russian, turkish, navajo, tahkli, and bottom whorls)
  • various measuring tools –tpi, wpi ect
  • cute spinning things that enhance photos

Now it’s true that PLY could buy some of these things, but we run a pretty tight ship over here.  In order to keep our ad to content ratio low low low, we don’t really have a budget for tools yet.  Right now we’re saving for subscription management software (currently we do it all by hand).  But it’s not only that our ship is tight, it’s also that we really love supporting small indie companies, companies that support spinners, companies that support us.  We like being able to list them on the Independent Spinner page when we use one of their products in our photos. We like that we get to spread the word.

So if you’d like to see your product on the pages of PLY, let’s see what we can do!  Check out this page to learn more about it!

xo,

jacey

Maureen Burns, come on down!

Using a random number generator  and the comments on the last blog post, it turns out that luck was on the side of Maureen Brown tonight!  She’s our fiber winner!  Shipping out to her is 6 ounces of Spunky Eclectic’s Golddigger in merino/linen!

Stay tuned, we have the fiber from Anne Podlesak’s Brighton top to give away too!  Plus lots of other goodies.

And if you haven’t noticed that we now have cute little web ads over there  ————————->

Notice, darn it!  Do you want one?  They’re super adorable and very affordable!  If you don’t want one, consider supporting the companies that do advertise with us (just make sure you do it via the ad or they won’t know that their ad is working! Without them we couldn’t make PLY, plus they make cool stuff.

xo,

jacey

 

Fiber give-a-way — Elektron scarf!

I know that Bernadette, PLY’s photographer and my very best friend, is catch-your-breath-fall-down gorgeous (not to mention talented). It’s also true that anything, absolutely anything, would look beautiful on her. But given all of that, the Elektron scarf,  by Kristy Howell from issue #4, really is stunning.

howell3There’s something about the delicate lace, the slightly rustic character of the fiber (60% merino wool/ 40%flax), and the complex goldnenrod color, when combined, just shines.

Well guess what I have in my hot little hand?  Yep, enough of that exact fiber from Spunky Eclectic’s in gold digger — to spin and knit your very own Elektron.  Would you like it?  You would?  I thought so.  I feel like I know you so well.  And you know me right?  You know that I’d like to give it to you.  All of you.  But since I have just enough for one project, I’ve got an idea.

I need something from you.  I’m collecting spinning snapshots for a very special project in our next issue — the community issue.  I need lots.  Lots and lots.  Like hundreds!  So if you send me a digital snapshot of yourself or a friend/friends spinning (please make the subject of the e-mail snapshot) and then leave a comment on the blog saying you sent it and that you’re okay with us publishing it — you’ll be entered in our random drawing!

Don’t worry about it being the best shot ever, it’ll be very very small so nobody will notice if your yarn isn’t even or if you don’t have your good bra on.  However, I do need it to be of people spinning!

Okay?  Sound good?  Let’s do it!

Step 1. send a photo of yourself spinning  to Jacey (with snapshot as the subject of your email).

Step 2. comment on this blog post  that you sent me the snapshot.

Step 3. On Friday, July 11th, I’ll announce the winner and ship out the fiber!  

love,

jacey