Thanksgiving

I love Thanksgiving. I love that it’s the beginning of the Holiday season. So many people celebrate so many things during this part of the year and it’s all great fun. I love that my family gets together most years – except for my one very far away sister who we always miss. I love all the food and I love that I can pretend that I am not constantly concerned about what I’m eating. I love that I can start decorating for Christmas and I love that my mom has taught me how to do it right. (She has 12 trees in her house this year) Here are the three I could see while standing in one spot.

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Anyway, just like many of you, I start to think about all the things I’m thankful for and this year I am thankful for my job. I’m thankful that I’m in a position that I can pursue this crazy life. I mean, for what other career could I dress up and go pet a sheep?

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And I’m thankful for the friends that I’ve made while working. I’ll just name 2 here but there are so many others.

meandjacey Jacey Boggs! Fantastic teacher, wonderful writer and owner of this magazine that I love so much.

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And Jillian Moreno who is also an extraordinary teacher, the kind of writer that makes you laugh and learn at the same time and a person who always is pushing me to be better.

Aren’t they pretty?

Ask me about all the other ones too. I could go on and on. But right now I need to go eat some pie.

Audible: saving my gray matter

I used to be a big reader. I mean BIG. I used to go through several books a week. And then I met knitting. And then, I met spinning. And then even worse, I met PLY Magazine. My reading has dwindled to online help forums that claim to be able to help me with subscription software programs and how to get quickbooks to balance. No more high literature, YA fiction, or trashy vampire novels for me. Up until about 6 months ago, I could feel my brain atrophying, freezing synapses, shedding vocabulary words, breaking connections. Dulling.

And so I signed up for Audible! I don’t know if the breakdown of my gray matter has ceased but I’m far more entertained than I was half a year ago.

The first thing I listened to was the 40-hour whopper, Pillars of the Earth by Ken Follett. I loved it and am always amazed by authors that can weave characters and complex storylines together with such patienace and skill. I cheered, literally. I also teared. Signs of a good book.

Since then I’ve listened to Skippy Dies, which I did not love; Goldfinch, which I thought was wonderful; Destiny of the Republic, some non-fiction about the assignation of Garfield, because I really like learning things; A Short History of Nearly Everything, which, if you haven’t read, do it! The kids and I listen to this over and over again and each time I can feel the universe and my brain get bigger!; and the Stephen King novel, 11/22/63, which may be my very favorite. Have you read this? I haven’t read anything by King since I was a teenager, when I spent years wrapping myself in his particular brand of horror, and I’d forgotten what a brilliant write her is. This is a good book. A book I couldn’t turn off. So completely engrossing. If you’ve got 40 hours to spare, read this book!

Right now I’m listening to 3 books. The first is Gone Girl. The second is Inkspell by Funke, I’m listening to this in the mornings when both the older kids are in the car with me but it’s mostly for Olive, who’s almost 8 and loves fantasy. It’s the 2nd in the series and it’s read by Brendon Frasier and though I’ve never been a huge fan of his movies, he’s great reading books! The last book is what Utah and I listen to if we’re in the car alone, it’s Stephen King’s book On Writing. It’s read by King, which I had to get used to, but the words are thoughtful and I think we’re both learning something.

So, what are you reading? Any Audible recommendations for me? I go through them quick so lemme have ‘em!

Craftsy dreams

Did you know I used to make videos? Well, that’s a bit of an overstatement, I guess. I made one video and I had plans to make more. In fact, I had plans to make lots more, not just of me but of other spinners. Grand plans, that is, until I watched my first Craftsy class. I saw right away that they were doing a better job than I could do. They’re the future. I mean, it’s a recorded class, with all the bells and whistles and graphics and easy navigation and perfect sound and wonderful close-ups and different angles but it’s got something that no class on DVD can really have – community. That is, interaction with other students and the instructor. It’s the best of on- and off-line. It’s pretty brilliant and it quickly killed any designs I had on a spinning DVD empire. Killed it dead.

So as you might guess, I was pretty excited when my dream-killer approached me to do a Craftsy class. First I checked out how they treated their instructors and employees. Things like that are important and I’m a firm believer in business-karma. Turns out, pretty darned well. Invariably, everybody I know that did their own Craftsy class had nothing but brilliant things to say about the experience. Everyone I met that works/worked for the company had equally glowing things to say.

The real surprise came when I saw the breakdown of where the money goes. Having worked in different capacities for different companies, I’ve had a bit of experience with royalties and Craftsy is way ahead of anyone I’ve worked with! Sure, you get the standard 12% of net if Craftsy sells your class (via their vast advertising network, emails, or just on the site) but where they really shine is if you, the instructor, sell your own class! Yes, if somebody gets to craftsy via a link the instructor put up, say, like this one, the instructor get 30% of whatever class(es) that person enrolls in, even if they’re not the instructor’s class! It’s generous. It’s really generous. It’s what gets them great instructors.

And so I said yes. I may have squealed it, honestly.

You know what I found out? The other reason they get great instructors is that they treat them amazingly! So well. You never feel lost or alone or like you’re not sure what’s happening. They are a well-oiled craft-class-making machine over there. I couldn’t have been more pleased with the experience. Levi and I spent 4 days there and it was great! We loved it. I’d do another in a heartbeat. I’d do 10 more.

So, if you’re interested in a pretty darned comprehensive drafting class, check out my craftsy debut!

PLY’s lunchtable

In the 2 days since my last blog post (the one about needing to hire 2 copy-editors), my inbox has had more “in” it’s “box” than ever!  From stay-at-home moms who love 2 things — kids and spinning, to ex-editors-in-chief, to librarians, to graduate students, to actual professional copy-editors, 210 people expressed interest in working with PLY.

That’s cool.

Really, it makes me feel like if I had to walk into my high school lunchroom now, somebody would make room at a table for me and I wouldn’t grab some french fries and a nuttybar and go sit in the gym doorway with my headphones on like it was a choice I was making.

Of course, I know it’s not really about me.  It’s not because I’m cool.  It’s because the magazine is wonderful.  Everyone that works on it (from the staff to the authors to the advertisers) really loves spinning and wants to spread the word.  Still, it maked me feel a little cool.  Though that feeling of coolness  quickly dispersed when I realized that about half the people emailing are more qualified to do my job than I am!

In fact, many of the names that came through my inbox I want to hire just so they will be my friends.  But hiring these 1-2 copy-editors is to make the magazine better, to make things less overwhelming and stressful.  I need great copy-editors.

And so today I sat down and emailed the bundle to everyone on the list, which was broken into 3 groups for sanity’s sake.  Of course, the first group I sent to got the wrong bundle.  By that I mean I sent them the test article and also the test article’s answer sheet (such as it is).

Of course, I fixed it by changing out the test article, and I guess it’s good for them to see how I operate now, all thumbs and double-spaces after my periods (.) — a habit I can’t break.  I literally have to do a search and replace after everything I write.  Muscle memory, the good and bad.  They say you can tell a person’s age from his/her typing.  If they put 2 spaces after periods, they’re over 30, if not, younger.

So now I wait.  I’m excited to see what comes back!  I’m going to read them blind, so I don’t get influenced by pretty names and lots of credentials.  I’m going to push down the impulse to be cool and do my job and I can’t wait to have 2 new people working on the magazine, they’re going to make it sooo cool.

We’re biggering!

I don’t think change is just the nature of a new business as much as the nature of all businesses, perhaps, all things. Things are changing here at PLY. We’re evolving and figuring and growing and learning and we’re biggering. We’ve moved up in a few areas. The biggest change is that we’re no longer using multiple excel sheets to clumsily keep track of all of our subscriptions. We’ve moved to a subscription management program, which, I hope, makes my and your life easier. Y’all can manage your account now – add issues, resubscribe, auto-subscribe, check how many issues left, change your address, etc. It’s the kind of organizational triumph that makes me a little weak-kneed.

And because, apparently, PLY evolving is really just us transferring work from us to you, we also moved to an online ad system to manage our website ads that allows you to manage your own ads! But it’s cool. Kinda like on Ravelry, you buy a spot, you upload it, link it, change it if you want, check your stats, etc. I’m really excited about it and am crossing my fingers it works like magic.

But what this blog post is really about is that PLY is hiring. Kind of. I need 1-2 freelance copy editors to be at my beck and call. Okay, not really my beck and call, but I do need you. I need you so much.

The Job

What I’d like is to find a couple of spinners that are copy-editing firecrackers. By the time the articles get to you they’ll have gone through the heavy editing and will be shaped organizationally so it’s not really heavy editing, more light-medium. It’ll involve double-checking accuracy, grammatical issues, article and issue consistency, fact checking, and pointing out any areas that might be unclear or confusing for readers/spinners. Of course, you’ll have access to the always evolving live PLY style sheet and a fairly over-the-top explanation of what each kind of article should look/read like. Because I’m nothing if not overly thorough.

If things go well, there’s also the possibility of doing a final proofread of the entire issue in PDF form before it goes to press. We’ll see, we might have to do some trust exercises before I make that leap.

The Schedule

You’ve probably guessed that it’s not a full time job but it’s steady in its hit-and-miss-ed-ness. Four times a year for about 3-4 weeks, we need you. Those times are pretty darned predictable though, essentially the months of February, May, August, and November. In each of those months we’ll have roughly 25 articles that need your red pen. Some of these articles are 800 words and others are 2500 words, some are instructional and some are informational, some are stories and some are other kinds of stories, but it works out to about 25,000 words edited in that given month which also works out to roughly 25 hours. I’m not married to the idea of it being 1 person or 2 people. I don’t want to overwhelm one person but I also don’t want to have too little work for more. That’s a detail we can talk about but if it’s a deal-breaker for you either way, be sure to mention that to me.

The Compensation

PLY likes to pay fairly. It’s something that’s very important to me. I wish we could pay everyone far more than we already do but we’re not even 2 years old so we do what we can do. The compensation for this job, right now and for the first issue edited is $25/hour. We’ve found that the copy-editing averages about an hour an article. If it all works out and the time is roughly what we think, the next issue we’ll raise it to $30/hour.   From there, if it continues to work out and we’re both happy, we’ll try and raise it to $40 by the end of 2015. I’m not saying we’ll stay at $40 forever, but I feel that’s pretty fair pay for the work and from there, we’ll raise it when we can.

Extras: for as long as you copy-edit for PLY you’ll have a subscription. For every issue you work on, you’ll be listed in the masthead.

The Process

If you’re interested in working with us, steady yourself, there’s a bit of a process. PLY is my baby. It’s my favorite thing I’ve ever done and I feel strongly that it’s important, that the knowledge the spinning community pours into it is going to stand longer than anything else I facilitate. It’s important to me and as such, I’m going to give you a few hoops. Forgive me. It’s all for the good of the magazine and my crazy, busy, never-stop brain.

The first step is to let me know you’re interested. Email me. Jacey at plymagazine dot com. I’ll send you a bundle of stuff. In that bundle you’ll find:

  1. A short set of questions about you and your experience.
  2. A copy of the PLY style sheet so you know what grammatical conventions we follow.
  3. Three versions of a past PLY article. The first version is as it came to me, the original. The second version is after I edited it (essentially how it would come to you). The third version is the final version, the version that went to print (essentially what we’d like you to do to the articles).
  4. One article that I’ve edited but needs to be copy edited by you. Please turn on track changes and save it by adding your name to the end in place of mine.

If I get lots of people that are amazing and perfect and I can’t decide, I’ll send out one more short piece to be edited.

I’d like to get this started now. In fact, if it works out, I’d like to have somebody do a bit of editing the last week of November or first week of December (I know that’s not really the time-frame I set above, but I’d like to see how it goes, I could use the help, and maybe a bit of holiday cash is not a bad thing, right?). So let’s start! Yes, let’s do!

Spinning, Stitching and Sampling

Anyone who has talked to me or spent any time with me in the past year knows I’m a little nuts for hand stitching right now. I started embroidering samplers and clothing that I wear. My stitching love quickly turned into, “what if I spun my own yarn/thread to stitch?” and boy, oh, boy have I been sampling stitching yarns.

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Spinning for stitching

I’ve been spending my time spinning fine and finer, experimenting with different fibers, different twists, manipulating color and stitching with it all.

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Sample it

Here are four small stitch samplers done in four different wools, with two different ply twists each. I love how different each fiber is. I liked the Shetland as an around fiber, the Wensleydale was especially beautiful with extra twist and the alpaca was the biggest surprise to me – easy to stitch with and really lovely in both twists.

 

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Top left: Shetland, top right: BFL; bottom left: Wensleydale, bottom right: alpaca

The two different ply twists I used were balanced or just under and more than balanced – sock-twist tight and more. The looser twist was better for filling stitches or any stitch I want to spread out or look soft. The extra twisty twist was better for outline stitches and any stitch I want to stand up, like for lettering. Here’s a satin stitch example with Shetland, left is balanced and right is more twist. See how the balanced ply twist yarn spreads out and fills the circle softly and the tighter twist is all about crispy lines?

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Shetland satin stitch – softly twisted, left and tightly twisted, right.

This is just scratching the surface of the spinning and stitching I’ve done. I’m afraid I may have passed on my new passion to a few other spinners in my Beginning Spinning for Stitching class last weekend at the Intrepid Spinner Retreat.