Photo credits not credited or well-credited

The amazing shetland sheep photo on page 26 was taken by Kate Gervais.

The photo on page 35 are from Jeni Reid.

The photo on page 36, of the sheep, was taken by Magnus Holbourn.

Communities through time: Christina Pappas

Would you like to learn more? Check out these references:

Christina T. Halperin (2008). CLASSIC MAYA TEXTILE PRODUCTION: INSIGHTS FROM MOTUL DE SAN JOSÉ, PETEN, GUATEMALA. Ancient Mesoamerica, 19, pp 111-125
http://journals.cambridge.org/abstract_S0956536108000230

Sharisse McCafferty and Geoffrey McCafferty (1994). ENGENDERING TOMB 7 AT MONTE ALBÁN. Current Anthropology, 35(2), pp 143-152
http://www.jstor.org/stable/2744178

Julia Hendon (2006). TEXTILE PRODUCTION AS CRAFT IN MESOAMERICA: TIME, LABOR AND KNOWLEDGE. Journal of Social Archaeology, 6(3), pp 354-378
http://jsa.sagepub.com/content/6/3/354

Arlen Chase, Diane Chase, Elayne Zorn, and Wendy Teeter (2008). TEXTILES AND THE MAYA ARCHAEOLOGICAL RECORD: GENDER, POWER, AND STATUS IN CLASSIC PERIOD CARACOL, BELIZE. Ancient Mesoamerica, 19, pp 127-142

http://journals.cambridge.org/abstract_S095653610700003X

Errata: Shetland Sheep and Wool: Deb Robson

Page 36: the titles for the Shetland College and Textile museum are switched.

Communities through time: Christina Pappas

Would you like to learn more? Check out these references:

Christina T. Halperin (2008). CLASSIC MAYA TEXTILE PRODUCTION: INSIGHTS FROM MOTUL DE SAN JOSÉ, PETEN, GUATEMALA. Ancient Mesoamerica, 19, pp 111-125
http://journals.cambridge.org/abstract_S0956536108000230

Sharisse McCafferty and Geoffrey McCafferty (1994). ENGENDERING TOMB 7 AT MONTE ALBÁN. Current Anthropology, 35(2), pp 143-152
http://www.jstor.org/stable/2744178

Julia Hendon (2006). TEXTILE PRODUCTION AS CRAFT IN MESOAMERICA: TIME, LABOR AND KNOWLEDGE. Journal of Social Archaeology, 6(3), pp 354-378
http://jsa.sagepub.com/content/6/3/354

Arlen Chase, Diane Chase, Elayne Zorn, and Wendy Teeter (2008). TEXTILES AND THE MAYA ARCHAEOLOGICAL RECORD: GENDER, POWER, AND STATUS IN CLASSIC PERIOD CARACOL, BELIZE. Ancient Mesoamerica, 19, pp 127-142

http://journals.cambridge.org/abstract_S095653610700003X

Shetland Sheep and Wool: a crossover of communities - Deb Robson

Fine Fleece Shetland Sheep Association, http://www.finefleeceshetlandsheep.org/

Foula Wool, http://www.foulawool.co.uk/

Midwest Shetland Sheepbreeders Association, http://www.mssba.org/

North American Shetland Sheepbreeders Association, http://www.shetland-sheep.org/

Jamieson & Smith, http://shetlandwoolbrokers.co.uk

Shetland College, part of the University of the Highlands and Islands, http://www.shetland.uhi.ac.uk/

Shetland Flock Book Society: no website that I’ve ever been able to find

Shetland Museum & Archives: http://www.shetlandmuseumandarchives.org.uk/

Shetland Organics: http://www.shetlandorganics.com/

Shetland Sheep Society, http://www.shetland-sheep.org.uk

Shetland Textile Museum, Böd of Gremista, http://shetlandtextilemuseum.wordpress.com/

Shetland Wool Week: http://www.shetlandwoolweek.com/

Unst Heritage Center, http://www.unstheritage.com/web/unst-heritage-centre/

A few readings about Shetland in the context of community:

Abrams, Lynn. Myth and Materiality in a Woman’s World: Shetland 1800-2000. Manchester University Press, 2005.

Fryer, Linda G. Knitting by the Fireside and on the Hillside: A History of the Shetland Hand Knitting Industry c. 1600-1950. Shetland Times, 1995.

Laurenson, Sarah. Shetland Textiles 800 Bc to the Present. Lerwick, Shetland: Shetland Heritage Publications, 2013.

Spinning to Spec -- Beth Smith

On page 12-13, we transposed our terms.  Beth’s BFL was spun with a short forward draw and gently snapped (not whacked) and her Columbia was spun longdraw with some whacking (not gentle snapping).  Sorry about the confusion.