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The “World’s Cutest Sheep” in Colorado 

On a dusty road, halfway between Denver and Fort Collins, sits the thirty-five acre farm of Davis Family Livestock, with stunning views of Long’s Peak to the west and the piercing blue sky overhead. My focus, however, is much closer to the ground: on the new lambs chewing on my shoelaces. Affectionately called “the world’s cutest sheep,” the Valais Blacknose are the showstoppers of the Davis farm. The breed originated in the Valais region of Switzerland, and though endangered, it has grown in popularity though Europe, Australia, and the United States in recent years. While many breeds of sheep tend to be wary of people other than their shepherds, the Valais eagerly demand attention from everyone.  

The Davis family began breeding Valais Blacknose sheep in a roundabout way. A friend of Anne’s had told her about a British show with the cutest sheep, and it piqued Anne’s interest. After much research and discussion, Rob and Anne decided that the Valais Blacknose sheep would be the perfect animal to start their farm because the Valais have to be marketed differently than other breeds. Due to their rarity, newness, and novelty, one doesn’t need to run thousands of heads on massive acreage to make money. Plus, at the time, no one else in Colorado was raising the breed.

“There’s no mystery on how to raise sheep,” Anne told me. “We’ve been doing it for thousands of years.” But breeding Valais Blacknose does come with some unique challenges. The USDA does not allow the live import of sheep or goats. The only way to introduce new breeds of sheep to the U.S. is through imported semen and embryos, which go through rigorous genetic testing. Additionally, breeders want semen from rams that meet the Swiss standards for size, quality of fiber, and coloring. It takes a long time to meet all these requirements. In 2016, New Zealand was the first country to export Valais Blacknose semen to the U.S., with embryos following later. A couple years ago, the UK began exporting semen, and in 2024 began exporting embryos as well.  

Then it’s a matter of time and careful breeding. By the fifth generation of lambs, both ewes and rams are U.S. purebred Valais Blacknose sheep. The Davis family began their breed-up program with several Scottish Blackface sheep, and some first- and second-generation Valais sheep. They were purchased from a woman in Idaho who had started the program on her farm but had to stop due to some personal health challenges. The Davis family bought her sheep and continued the work she started. Anne told me that the two of them are friends to this day.   

Rob and Anne Davis purchased their 35-acre farm in 2020, the same year they began breeding Valais Blacknose sheep. Both come from agriculture backgrounds, Rob from a ranch in Colorado, and Anne from a fruit and vegetable farm in Oregon, and when Rob retired in 2017, the family began considering their next steps. Rob has a PhD in Agriculture Economics and Anne holds a master’s degree in Plant Pathology, but both wanted something more tangible to leave as a legacy for their two children. Their daughter Maddie has a passion for livestock and plans to take over the farm in the future. 

Higher education has been a significant part of the life of the Davis family, and they highly value the role that education plays in communities and relationships. Tours of the Davis farm are always free because Rob and Anne want their farm to be as accessible as possible. During the 2024 lambing season, they gave several tours a week, with lambs being delivered during a couple of the tours! Their tours typically begin with a walk around the farm to meet all the animals. In addition to the Valais Blacknose sheep, the Davis farm currently has Scottish Blackface sheep, Rambouillet sheep, a guard llama and alpaca, and several horses. The tour wraps up in the barn where Anne has put together an in-depth display of the fleece-to-product process. The display includes raw fleeces, a skirting table, handspinning tools, a dye pot, looms, and felting tools. I’ve led several handspinning demonstrations for tours, which allows visitors to watch and learn to spin yarn from Valais wool. In 2024, the Davises also bought an authentic sheep herder wagon from the early 1900s to add to the tour!   

Anne and Rob want their farm to be a resource for people of all backgrounds. They also mentor other breed-up programs. Anyone who buys sheep from the Davis family and has questions about breeding is welcome to give Anne a call, and she will help in any way she can. They are transparent with everything they do. “This is a small enough breed where we need to be supporting and working together,” Anne told me. “We need to be cooperating instead of competing.” The Davis family was the first to bring the Valais Blacknose breed to Colorado and produced the first purebred Valais ram in the state. They are proud to have led the way and now get to celebrate the success of other breed-up programs in Colorado. 

The farm invites CSU vet students to gain experience by watching procedures, and in the summer of 2024, the Davis family welcomed their first intern: a local high schooler interested in studying large animal veterinary science in college. Her work on the farm will also gain her school credit, so the program benefits both the Davis family and students interested in exploring agricultural vocations. There is always plenty of work to be done on the farm, and while Rob and Anne’s children, Roy and Maddie, help out when they are available, both currently have other jobs away from the farm.  

The last time Anne and I met for coffee, I asked her about the biggest challenges in running their farm. She didn’t hesitate. “The physical demands. Especially the heat.” The summer heat on the high plains isn’t just difficult for farmers, it can also be hard on the sheep. Colorado is so dusty that the dust irritates the sheep’s lungs and can lead to dust pneumonia. The Davises monitor their sheep closely to prevent pneumonia. To breed and raise healthy sheep, the farmer needs to be familiar with the environmental and climate factors that affect their livestock. But Anne isn’t discouraged by these challenges. To the Davis family, being close to the land and having a purpose is incredibly rewarding for them. The family gets to see new life and watch their animals grow and thrive. They get to see the joy on the faces of young children visiting a farm for the first time and the memories that are brought back for older visitors who haven’t been on a farm in years. Anne told me she especially loves when people come back for return visits. “If you think we are cool enough that you want to take your time to come back, that’s pretty special.”  

Anyone interested in touring Davis Family Livestock is welcome to contact Anne through the contact page on their farm website: https://www.davisfamilylivestock.com/contact 


Rowena Zuercher is a freelance editor and researcher who dedicates most of her free time to fiber and textiles. She lives in Aurora, Colorado with her husband Ryan and their turtle, ball python, and aquarium of fish. You can learn about her many heritage craft explorations on Instagram @homesaponified. 

Words and photos by Rowena Zuercher (except Davis family photo, which is from Anne Davis) 

Knitting with Dog Hair: New Edition!

In 1997, the first edition of Knitting with Dog Hair by Kendall Crolius made its way onto shelves. I remember my horrified fascination (a misplaced psychological reaction) the first time I picked it up with all my preconceived notions about what could and should be spun. This book was an absolute eye-opener for me, and it has helped me cope with the loss of some of my furry family members!

Now on its third revision and printing, you can get the updated book just in time for the giving season. To celebrate its latest release on December 3, I had the thrilling opportunity to interview Kendall.


Thank you for taking the time to share a little bit about yourself and your book. There are many in the PLY community who have benefited from your work.

Q: Before you were the world’s leading authority on dog hair knitting, how did you first start spinning?

A: My beloved husband gave me a spinning workshop for my birthday – at a fiber arts store in our neighborhood in Brooklyn, NY. My spinning teacher mentioned “you don’t have to limit yourself to sheep wool – you can spin anything, even dog hair.” I had a sheddy Golden Retriever at the time and started spinning her fuzz.

Q: What drove you to write about working with dog hair?

A: Writing about it wasn’t my idea! I had dear friends, Barbara Binswanger and Jim Charlton, who were book packagers. They had a Great Pyrenees, Ollie, and brought me Ollie fuzz every time we got together. One weekend, I decided to spin it to make them mittens and ended up with enough yarn to make a sweater for Barbara and a vest for Jim.  Jim said, “This would be a great book.” And great visionary that I am, I said, “No it wouldn’t – that’s ridiculous.” Jim and Barb wrote it up as a book proposal and pitched it for TEN YEARS before St. Martins decided to publish the original edition.

Q: What are the benefits of working with dog hair and which breeds are the easiest to spin?

A: The most important benefit is having a garment from a beloved pet. For many breeds, the yarn itself is superior to wool. Any dog that sheds is an ideal candidate. My preferred breeds are Samoyed, Great Pyrenees, and Golden Retriever but that’s because I have specific dogs I love. 

Q: Before you were a writer, you had an incredible career leading the G100 Leadership Network, and before that, in businesses like Forbes and McCann-Erickson. Can you tell me a little bit about your career and how that impacted your choices when writing Knitting with Dog Hair?

A: This is great question! My career and my interest in dog knitting don’t have a lot of intersections. I can say that writing this book has solidified my reputation as an eccentric and a creative thinker. I spent the last 15 years of my business career running a program that helped prepare very senior executives to be the next CEO of their company. When the participants googled me, of course the first thing that popped up was Knitting with Dog Hair – it was a great icebreaker when I onboarded new participants. The leadership lesson is be who you are and bring all of you to your business career.

Q: What is your favorite part of the book to write?

A: I have loved writing about the people who have created cottage industries focused on spinning yarn from beloved pets. With this edition, it was much easier to connect with artisans simply because of the internet. I have formed real friendships with the fabulous people who have adopted this craft.

Q: You are now on the third revision of your book. What has the journey through this all looked like for you? 

A: I am so gratified to have connected with people who have embraced this craft. There are so many people who have created businesses spinning dog yarn for dog lovers who want to create a memento of a beloved pet.

For those who have read the book before, what updates should readers keep their eyes out for? 

I have updated the list of “Spinners Guide to Dog Breeds” with data on breeds that were not recognized in the nineties, including the “designer dogs” like LabraDoodles that were not included in the original edition.


For more than twenty-five years, Kendall Crolius has inspired us to boldly experiment with pet fiber. Her unique insights have expanded the domain of fiber artists everywhere and helped create a niche community of spinners who help dog lovers celebrate their furry family members.

The revised copy of Knitting with Dog Hair is now available. If you don’t already have a copy, now is a great time to pick one up!

Swapping to a Polyurethane Drive Band

I am incredibly hard on my tools. By that I mean I put hours of use into them. And I make sure I take care of my tools so I can put even more hours on them!

One part I replace frequently is the drive band. For cotton drive bands, my rule is to replace the drive band after eight hours of use. The drive band stretches over time, loses its elasticity, and can abrade.

The photo to the left is the drive band I just removed from my Ashford Elizabeth II. If I’m honest, this drive band saw a little more than eight hours of use. You can clearly see it is frayed and at the end of its life.

When a drive band gets to this point, it is prone to slipping and snapping.

Cotton drive bands have their own benefits. They are easy and cheap to source. A ball of cotton kitchen twine will keep you stocked on drive bands for years. They are also simple to replace by either knotting them or stitching the ends together.

Remember, though, I am hard on tools. With my usage, I change cotton drive bands out at least once per week. I needed something a little longer-lasting. I decided to swap my cotton drive bands for polyurethane bands.

Many wheel manufacturers have designed their newer wheels (castle-style wheels in particular) to use polyurethane bands. There is a good chance that you’ve already got a poly band on your wheel. Vintage wheels or more “classic” wheel designs are not often equipped with a poly band. But that doesn’t mean they can’t be.

I use my Elizabeth II in double-drive mode. I kept this in mind when selecting a poly band. I settled on a 2mm band, which is thinner than what is usually provided by wheel manufacturers.

Once I cut off my cotton drive band, I used it to measure out the correct length of poly band. I threaded the poly band on my wheel just as I would with a cotton band. The trick to polyurethane is in the join.

To join the two ends of poly band, I used a lighter to melt the two ends, then pushed them together. Before the plastic fully cooled, I took a folded piece of paper and rolled the join back and forth between the paper. This rounded the join so that it would pass through my wheel smoothly.

The resulting join is strong and flexible.

Like cotton drive bands, these have their benefits and drawbacks. The poly band lasts years instead of weeks. However, it won’t work well with every wheel. Depending on how deep the wheel groove is and the finish of the wood, the poly band might slip out. It is more likely to jump the groove in a double-drive setup, especially if the groove is narrow. The two bands compete for space in a way that cotton bands don’t. This is one of the reasons I chose a thinner band.

The poly band also tends to have more grab than the cotton band and can create stronger uptake, which may throw off your default spin.

Twenty hours of spin-time in, though, and it is serving me well.

Sneak Peek: The Winter 2024 Issue!

The PLY Winter 2024 issue is set to be released early next month, and we are so excited about this issue because the topic is Care!

Let me tell you, this issue is PACKED. Sustainability, ergonomics, textile conservation, tool upkeep… We’ve got it this quarter!

Just a few highlights:

Andrea Peart tells us about dealing with wool sensitivities and how she has handled being a handspinner in a world where Merino is king.

Maggie Casey shows us all about caring for our spinning wheels and talks about how innovation has changed the way we care for wheels!

Anne Choi delves deep into the history of Korean textiles, a history that is rife with cultural erasure and contemporary disregard.

Natasha Sills of Gritty Knits tells us how she has learned to turn her brain off and take a break while carding to help her manage her arthritis.

And there is so, so much more!

We hope you’re as excited for this issue as we are! Be sure to subscribe (or renew your subscription) by the end of the month to make sure you don’t miss out on this issue!

Meet the Team: Jeannie Sanke

In a community like ours, the people are every bit as important as the craft. It may sound cliché, but we aren’t just fiber people. We are fiber people “together.” The team that curates PLY Magazine is small but mighty. You’ve seen their names at the front of every issue. You may have seen their faces at this or that fiber conference. How much do you really know about the magical people who produce PLY?

Over the next few months, we will be interviewing and featuring members of the PLY team here on the blog!


Advertising

Who are you and what is your role with PLY?

My name is Jeannie Sanke, and I handle advertising for PLY and WEFT. I joined the team this past summer. Long-time reader, first-time contributor.

How long have you been a spinner?

I’ve been spinning for 10 years, knitting for over fifty. My favorite fiber is chiengora.

What do you do when you’re not spinning or working on the magazine?

Right now I’m translating a press release on an engineering conference covering new developments in plastics recycling. I also teach privately, handle marketing and tech support for a local business, serve on my condo board, and process a ton of fiber. And my neighbor is running for local office, so I help with his campaign.

You’re not busy at all, are you? What’s a fun fact about yourself, Jeannie?

I have a Ph.D. but my mother, bless her heart, was always prouder of my Jeopardy! appearance.

What’s your favorite weird fiber fact?

Keratin. ‘Nuff said.

Anything else you’d like to share with our followers?

Trek needs more fiber arts. That is all.

Alpaca Wool: A Misnomer

How many times have you heard someone selling their alpaca wool? Or touting their alpaca wool scarf? The only problem is that it isn’t wool. Let me explain!

Fibers can be categorized into a few different classes, including hair, wool, and fur (excluding kemp and guard hair for the moment).

Let’s check out Meagan’s handy chart to get us started.


FIBER TYPE
QUALITIES
CUTICLEMEDULATIONGROWTHDENSITYSEBUM
FURScales overlap, forming as many as 10 layersGenerally present and pronouncedReaches a maximum length and then shedsHigher than 60,000 follicles/sq inchLimited quantity of sebum
HAIRScales overlap, forming as many as 10 layersGenerally present and pronouncedContinuous growth, but sheds500 follicles/sq inch 
Only 100-200 active follicles at a time
Limited quantity of sebum
WOOLIn fine wools, scales overlap, usually forming 1-2 layers.
Scales are barbed
Generally absent or almost absentContinuous, if not shearedUp to 60,000 follicles/sq inchLanolin in varying quantities

Alpaca is actually a hair fiber, like our own hair. Like us, they shed a small amount of their fiber, but it continues to grow and get longer if we don’t cut it. Because of this continuous growth, alpacas have to be sheared regularly for their health.

Check out this microscopic view of alpaca fibers. The first thing you might notice is the dark line going down the center of each fiber. This is the hollow medulla.

Air = Warmth

Any time there is air trapped in a fiber, it contributes to it being a warmer fiber. Air is an insulator. Wool does not have a hollow center, which is one of the reasons why alpaca is so much warmer than wool.

The keratin structures in alpaca fiber are different than the structures in high-memory wool. As a result, the fiber has almost no memory. That means it will not return to its original shape once it has been stretched out. This is great for drape, but not great for anything that requires stretch, like socks or mittens. We often blend wool with alpaca to compensate for its lack of stretch.

While it may be tempting to call alpaca wool because it is so squishy and wool-like, there are some fundamental differences that mean that the fibers behave differently. Are the spinning police going to come after you if you call alpaca wool? No way! Still, it is sometimes helpful to have that scientific distinction to help guide your creative process.

SCENE: Upcoming in the Community

PLY strives to bring together the global spinning community and give a voice to spinners everywhere. Is there an upcoming event you’d like to share? Do you have or know of a new product, fiber, or tool you think the community should know about? If so, fill out this form!

Once each month, we’ll feature SCENE content on the blog and social media.

What are you waiting for? Let us know what’s cool, hep, lit, fire in your fiber world!

The Secret to Silk Is in Your Hands

Literally … your hands are the secret to spinning silk on its own.

Hand care is important for all spinners, but special attention needs to be paid when dealing with silk. It will catch on everything. Silk will catch on other fibers. It will catch on clothes. It will catch on every hangnail and every dry patch of skin on your hands. If you think I am joking, try petting a length of silk top or mawata. Individual strands of silk will stick to the most unexpected places on your hand, and I promise, your hands are never quite as silky smooth as you might think.

Before spinning silk, I always treat my hands to a oil and salt scrub. Salt is naturally abrasive, which helps remove dead skin cells and increase circulation. Olive oil, my favorite oil to use, is made mostly of essential fatty acids which can also be found in our skin. A component of our skin is linoleic acid, which allows our skin to easily absorb the fatty acids. As a result, the oil forms a protective barrier that essentially smooths out the surface of our skin.

Spinner’s Handscrub

  • 1 tsp table salt
  • 1 tsp olive oil

Scrub your hands for 30 seconds to a minute with this scrub, paying special attention around your nail beds and the webbing between your fingers. This scrub will also effectively find every papercut you have. If that terrifies you, sub out the salt for sugar for a gentler scrub. I also use this as an opportunity to massage my hand muscles and warm them up for the spinning task ahead.

Smoothing your hands isn’t the only secret to silk success. How you hold it can also be the difference between a fun spin and misery. Silk feels … well, silky smooth, as if it will slip right through your fingers. As a result, many spinners will try to death-grip silk. The problem here is that silk is one of the strongest protein fibers. I promise that in a fight between your hands and silk, the silk will win. Blisters and silk burns are a terrible participation trophy to get.

Depending on how it was processed, it can also have one of the longest staple lengths. If your hands are too close together, it can be nearly impossible to draft. If you find yourself struggling, try moving your hands farther apart and relaxing your grip.

What tips do you have for spinning silk?

Meet the Team: Karen Robinson

In a community like ours, the people are every bit as important as the craft. It may sound cliché, but we aren’t just fiber people. We are fiber people “together.” The team that curates PLY Magazine is small, but mighty. You’ve seen their names at the front of every issue. You may have seen their faces at this or that fiber conference. How much do you really know the magical people who produce PLY?

Over the next few months, we will be interviewing and featuring members of the PLY team here on the blog!


Managing Editor & Copy Editor

Who are you and what is your role with PLY?

I am Karen Robinson, the Managing Editor and Copy Editor for PLY. November will be my 10th anniversary with PLY!

What is your favorite fiber to spin?

BFL, hands down. Though Targhee is awesome, too.

How long have you been a spinner? (or what is your craft of choice?)

Since 2010, so 14 years. I’ve been knitting since 2004, so just hit 20 years at that. Before I learned to spin, I told myself that I’d never be interested in spinning. But then I took a class at a retreat and instantly fell in love with spinning and the rest is history!

What do you do when you aren’t spinning or working on the magazine?

Knitting, of course. Lots of reading (mostly fantasy books). I do other copyediting (mostly fiction) and teach copyediting classes through a university extended studies program. My family and I enjoy playing board games. And our three Boston Terriers and two cats keep us highly entertained.

What is a fun fact about yourself?

I have a PhD in English with a focus on Arthurian literature, so I love all the stories of King Arthur and the knights of the Round Table. One of my bucket list items was to visit Tintagel, which was the birthplace of Arthur in all the stories. And a couple of years ago, I took a trip to England and was able to make that dream a reality. It’s just ruins now, but that rocky promontory overlooking at sea was one of the most magnificent places I’ve visited. My cheeks hurt so much from all the grinning I did at being at that magical location.

"Feeding Herdwicks, my favorite sheep breed!"

What’s your favorite weird fiber fact?

Herdwick sheep are my favorites because I think their faces are absolutely adorable. And we have Beatrix Potter to thank for their continued thriving population in the Lake District in the UK. Not only did she advocate for the breed when she was alive, she left a number of farms to the National Trust after her passing–with the stipulation that each farm retain a specific minimum of Herdwick sheep.

Anything else you’d like to share with our followers?

I’m always happy to talk about fantasy and speculative fiction books, so if you have any recommendations, I’d love to hear them, and let me know if you want any recommendations.

“Feeding Herdwicks, my favorite sheep breed!”