Mixing Things up for a Sweater

words and photos by: Johanna Carter

I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.

Mixing spinning and knitting

The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.

A highly photogenic collection of naturally dyed fibres.

I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.

Mixing colours and fibres

Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.

Beautiful greens and blues dyed by the author using indigo and other natural dyes.

Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.

Fibres of different types and colours are blended on a drum carder for elegant results.

When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.

An idea for the author’s next sweater in the gathering stages.

When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.

Knitting as soon as the yarn is spun helps the author complete sweater projects in a timely manner.

I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.

I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.

Several charming sweaters dyed, spun, and knit by the author.

I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.

Mixing breeds

There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.

Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.

My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.

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Spinzilla team roster: Lydia Martin

lydiaSpinzilla: PLY Magazine Team Roster — Lydia Martin

Spinning nickname: Dream Catcher

years spinning: One… and growing

Location: Fort Collins

Spinning tool of choice for spinzilla: Top Gun Soundtrack

Favorite weight of yarn: The one that is lightest on my pocketbook

Favorite fiber for fast spinning: Whatever is prepped into easy to grab rolags

Favorite treat to drink while spinning: Tall Dark Stouts

Project you’ll be spinning for: http://www.ravelry.com/patterns/library/the-age-of-brass-and-steam-kerchief and http://www.ravelry.com/patterns/library/bloomsbury-7 

Personal Spinzilla goal: Avoid a sore bum and impress Kenny Loggins as I treadle into the “Danger Zone”

Personal bio:  I’m a Rocky Mountain native, wife, mama to two wee princesses, artist, tea drinker, moon gazer, aspiring bird identifier, trail blazer, nature devotee and lover of creativity.

I’m a self-taught knitter who ‘accidentally’ stumbled into spinning when I found two raw packaged fleeces (purchased in New Zealand eons ago) in my neighbors garbage pile on trash day. (I just may, or may not, be an occasional dumpster diver… don’t judge!) Determined to build my yarn stash, I found a spinning class at my LYS. From that point on I was in love! It is now a common occurrence that I will go to bed dreaming of spinning and fiber.

How to run a magazine pt. 3

And now it’s time for another “what Jacey doing this week” post.  I hope you don’t get tired of reading these.  I was just telling Jillian this morning, at the board meeting, that writing them is pretty helpful to me.  Almost like a huge data dump of everything I have to do for the week, helps me get a handle on what needs to be done.

Okay, first the stage setting – We are at the very very end of the Autumn 2014 issue cycle, the middle of the Winter 2014 issue cycle, and the very beginning of the Summer 2015 issue.

First, the Autumn 2014 issue – community.  Kitten is moving this month so he is running a bit behind on layout so instead of having it all to me and me working on it, he’s staying up late and sending me things each day.  It’ll work out the same, but harder for him, I think.

He sends me the magazine in low-res pdfs, 20 pages at a time.  I read through every page, look at every ad, every graphic, everything, and keep notes on anything I see that needs to be changed.  Often it’s a “two” into a “2”, sometimes it’s a misspelling (this time it was “performance” instead of “performance”), and occasionally it’s a wrong caption (Deb will be much happier if we don’t call her fuzzy woolen sample a “slick woolen example”) or photos in the wrong order, and every once in a while it’s just that I want an ad switched with another ad.

I’d like to take this chance to publically say that when you see “fiber” spelled “fibre”, we didn’t miss that, we left it.  We like to preserve regional spellings.  If a Canadian writes the article, fibre will have lustre.  If an American writes it, fiber will have luster.  It appears that this makes some people see red but it’s just the way we roll.

So that’s what I’m doing right now, fine-tooth-combing the PDFs.  After I send him my notes, he’ll fix any mistakes that are actually mistakes and uploads the files to the printer where I’ll look at them via their pre-press portal.  This is super cool as it looks just like the magazine and if I’m feeling shaky about an issue, this step always eases my worries and I start getting excited.  I look over everything once more and then give an ok or a no-kay.  If it’s a no-kay, Kitten fixes the issue and re-uploads the troublesome pages.

Then it goes to press.

That’ll happen this week.

On Friday Levi will send the updated mailing list to the printer and if the name isn’t on that list, they don’t get a copy.  Which reminds me, that’s the other thing I have to do, e-mail everyone that needs to but has yet to, resubscribe.  We do that by comparing the e-mail addresses on the Autumn 2013 mailing list with the e-mail addresses on the Autumn 2014 mailing list.  Not the slickest way, I’m sure, but it gets the job done.

Once that’s done, that issue drops off my cycle list.  Shew.  It’s always a relief.  By September 10th, it’ll ship to readers.

The middle of the winter 2014 cycle is a bit easier.  I just got back the articles from Levi (remember, I edit them, sent them to him, he edits them and sends them back).  I look over them one more time and by the end of the week will send them all to Kitten.

Very Beginning of the Summer 2014 cycle means that between today and tomorrow I’ve got to e-mail everyone about their Fine Issue proposals.  I’ve mostly got it planned out but there’s still a bit of work to do on it.  I know all the articles but have to figure out the word counts and the budget.  We  have space for 35,000 words in each issue, that’s assuming we use roughly the same amount of photos and our ads are all full.  Once I gave Kitten 49,000 words, 50% more than would fit.  I’ve gotten better at planning but it’s always tricky.

In the misc. category, I’ve gotta get the website ads ready to go live in 10 days and get the website all prepped for the issue switch over.  Thankfully, Jessica, who built the website, is taking on this job, I just have to get her the materials.

Of course there’s always e-mails and packing magazines for LYSs and back orders.

Oh, and I have to hurry and find a photo of a Shetland sheep!  It’s an emergency!

xo,

jacey

Reprinting Color and Woolen!

If you’re one of the PLY readers that missed out on issue #2 and #3 (Color and Woolen), guess what?  We are reprinting!  However, since we are a small operation, we don’t have green enough just sitting around, so we’re going to have to do what we did for the Summer 2013 (#1, first).

Here’s how it works.  If you don’t have the issue but you want it, you order it.  I take your money but don’t send you anything. Not for a while anyway.  I have to wait until we have enough orders to cover a print run.  For the #1 issue, I said it could take anywhere from 2 months to 12 months.  It made it in 6 months and the reprint went out last month.

I suspect it’ll take about the same time for #2 and #3, but it could take longer.  Again, I’ll print by July 2015 if we haven’t made the numbers yet, even if I have to sell handspun on the street!

It’s been up for 2 weeks and we’re 10% there, so that’s pretty promising.

If you’re torn about the issues, don’t be, they’re both really good.  Woolen is one of my favorites (mostly because I think it has changed the most people’s spinning) and Color is one of the most beautiful issues (not just because my lovely mom is in it).

If you want to help us get it back in stock faster, order!  Tell your friends!