Mixing Things up for a Sweater

words and photos by: Johanna Carter

I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.

Mixing spinning and knitting

The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.

A highly photogenic collection of naturally dyed fibres.

I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.

Mixing colours and fibres

Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.

Beautiful greens and blues dyed by the author using indigo and other natural dyes.

Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.

Fibres of different types and colours are blended on a drum carder for elegant results.

When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.

An idea for the author’s next sweater in the gathering stages.

When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.

Knitting as soon as the yarn is spun helps the author complete sweater projects in a timely manner.

I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.

I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.

Several charming sweaters dyed, spun, and knit by the author.

I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.

Mixing breeds

There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.

Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.

My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.

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Call for Blog Submissions: Plants

While the Plants issue of PLY is already in the works (and it looks like another great one!) we are looking for quality related posts for the blog! Did you have an idea you didn’t submit? Or did you miss the submission window?

The blog process is much simpler than the magazine process (which involves contracts and samples sent in, photographs, tech editing, etc.) Instead, you’ll need to send your own photos, and your post will go through a copy edit but no other part of the magazine article process. If your blog submission is accepted and published, we’ll send you a $50 honorarium via PayPal.

Please submit your blog post proposal by July 11, 2025. If your post proposal is accepted, we’ll need your words and photos by September 1, 2025. We’ll be posting the Plant posts on the blog in September, October, or November 2025.

Find the mood board below!

PLY Autumn 2025 – Plants (Blog posts)

If it grows in the earth and you can spin it, we want it!  

Let’s look at growing and preparation, blending and dyeing, drafting and plying, finishing and projects! We would love for you to contribute your knowledge, experiments, and projects. 

Which plant fibers are easiest to spin for someone new to the world of cellulose? How do they compare and relate to fibers spinners are more familiar with? Why would you choose plants over other fibers? Can you compare and contrast plant fibers, identifying what they are wonderful for and the ways they can be spun? Are some plant fibers better than other plant fibers for certain things? 

What do you know about plant fibers that have to go through a manufacturing process, like bamboo? How does it affect the environment, the spin, the finished yarn? 

What preparations work the best for plant fibers? What should a spinner look for in a commercial preparation? Which dyes and methods work the best for you? Can you use natural dyes with plant fibers? What happens when you dye a cellulose/wool blend? Talk to us about the tools for plants: which are the same as wool, which are for plants only? Can you use blending boards? Handcards? Combs? What is the benefit of blending these fibers with protein fibers? What is the best percentage of plant and wool, and what are the best plants and breeds to use together? 

Tell us about using spindles, charkhas, walking wheels, e-spinners, and treadle wheels. Are there ones that work and don’t work with these fibers? Do cellulose fibers have to be worsted drafted? Can you spin them woolen? What happens if you do? How much twist is enough, and how much is too much? What tips do you have for plying plant fibers, the number of plies, the twist angle? How do you get a smooth chain ply with plants? What about different ply structures? Can you use these fibers in textured yarns? 

Tell us about the methods you use to finish plant fibers. How do you make sure the twist is set? Do you belong to a fibershed that includes cotton or flax, and can you tell us how you are working toward their sustainable future? Do you make and use cordage from plants in your garden or on your travels? Can you teach us how and what you make with it?  

PLY Guild: Second Season Drop – Episode 2

Ding! Ding! Ding! 


The second episode of the second (worsted) season of the PLY Guild has dropped and is ready for your viewing pleasure! 

  • Four brand-spanking-new spinning segments 
  • Four great teachers: Deb Robson, Maggie Casey, Jillian Moreno, and Jacey!
  • More than 2 hours of spinning content!


It’s a great episode filled with lots of information about choosing fibers for worsted yarns. 

We’ll see you again with a new episode in six weeks (but in the meantime, come see us in a spin-in)!  If you haven’t already gotten your membership, this is an episode you won’t want to miss! 

PLY Spinners Guild is a space for spinners. We are an inclusive and diverse community that embraces all spinners committed to learning, growing, questioning, answering, and supporting their fellow guild members.  We strongly believe that the more diverse our community is, the stronger our community is. Our core beliefs of kindness, diversity, and inclusivity inform everything we do. PSG supports people of every ability, ethnicity, race, religion, sex, and gender. We hold that every single community member is important. We believe that black and brown lives matter. We see and support our LGBTQ+ community. We reserve the right to remove anyone that meaningfully and purposefully disrupts the community or makes other members feel unsafe.    

Third Thursdays Guild Tip

Time to ramp up for tonight’s PLY Spinners Guild Third Thursday foundational spin-in!   

Here’s a tip to tide you over until the spin-in starts!  This is something I’ve observed time and again during my years of teaching spinners. 

When we first begin spinning with a short forward draw, many of us struggle to get a thin, even yarn. Much like a toddler who needs to master the chunky crayons before they can move on to the pencils, new spinners will spin lumpy, bumpy, chunky yarn until they master the fine motor control needed to get those lovely, even singles.  Then comes the second part of this problem. 

Once spinners master the thin, even single… it becomes really difficult for them to spin a thick yarn again.  It is a skill they have to learn all over again and is often a shock when they realize they’ve lost the ability.   

To work toward getting that thicker yarn again, pay attention to what each of your hands is doing as your spin.  One hand manages the fiber supply (the fiber hand), while the other hand forms a pinch point and controls the twist (the working hand).   

When you spin a fine single, you might notice that your pinch point stays near the very tips of the fibers and draws only a few fibers at a time into the twisted yarn.  While not always the case, you might also notice that your fiber hand holds the fiber supply with a somewhat firm pressure. 

To get a thicker yarn, move your pinch point deeper into the drafting triangle so that you are drawing up more fibers into the twist zone.  To complement this new motion, your fiber hand should have a very loose grip on your fiber.  If you hold your supply tightly, fewer fibers can be drawn into the twist zone.      

Test this out at the spin-in, tonight!  Make sure that you have joined the guild to get the Zoom link!