Mixing Things up for a Sweater

words and photos by: Johanna Carter

I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.

Mixing spinning and knitting

The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.

A highly photogenic collection of naturally dyed fibres.

I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.

Mixing colours and fibres

Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.

Beautiful greens and blues dyed by the author using indigo and other natural dyes.

Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.

Fibres of different types and colours are blended on a drum carder for elegant results.

When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.

An idea for the author’s next sweater in the gathering stages.

When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.

Knitting as soon as the yarn is spun helps the author complete sweater projects in a timely manner.

I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.

I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.

Several charming sweaters dyed, spun, and knit by the author.

I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.

Mixing breeds

There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.

Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.

My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.

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Book Review: Marking Time with Fabric and Thread by Tommye McClure Scanlin

Marking Time with Fabric and Thread: Calendars, Diaries, and Journals within Your Fiber Craft 

by: Tommye McClure Scanlin 
Schiffer Craft 
$34.99, Hardback, 198 pages with 100 color images 
Published: October 28, 2024 
Buy now at Bookshop.org
Reviewed by: Karen Robinson 

PLY had the pleasure of sharing an article by Sarah Swett in the Cloth (Autumn 2019) issue. I remember being fascinated while reading about her practices of creation. She writes the foreword in this book, and her words about marking time using crafting made me want to dive right into the book. 

The author, Tommye McClure Scanlin, is a tapestry weaver and finds tapestry weaving to be a slow process, which allows for a lot of time to think about that process. She decided to try making a project a daily practice and thus was born her “tapestry diaries.” She shared her craft with others, in person and online, and those weavers and fiber artists began their own version of tapestry diaries. 

This book is an exploration of various ways that Scanlin and other fiber artists have used their crafts to “mark time.” She asked many individuals to share their work and asked them the same three questions: what is their daily practice, why did they start and why do they continue it, and what medium they use for it. The practices of those fiber artists are included in this book, in their own words, along with many color photos. 

The chapters cover various types of daily practices from data visualization (think temperature blankets) and diaries to adding codes within fiber arts projects. One of the last chapters gives some specific ideas for how you might start your own daily fiber practice and blank templates are included in the back of the book. 

Because of the author’s background with tapestry weaving, many of the fiber artists and projects in this book involve that medium. I would have liked to see a bit more variety in the types of mediums being used in this book, though we do get some examples from quilting, embroidery and other stitching, mixed media, knitting and crochet, and even one using plastic packaging. 

This is a gorgeous book, full of inspiring projects. Whether you want simply to read about and see the work of others or get an idea of the types of projects you could do for your own daily practice, even if you’re not a tapestry weaver, this book would be a fabulous addition to your fiber arts library. 

Tip for Spinning Sustainably: an Excerpt from the Care Issue

Excerpt from “Spinning Sustainably” by Diana Hawthorne, PLY Issue 47, Winter 2024

Prioritize natural fibers 

As a spinner you are likely already spinning wool, silk, cotton, or linen. Natural fiber is a more climate-friendly choice than synthetic fibers like acrylic and polyester, which are made from petroleum. Washing and working with fibers causes microscopic pieces to break off and end up in our waterways. With synthetic fibers, these microplastics create problems that natural microfibers do not. If you are spinning yarn with synthetic fibers (like Angelina), consider using that yarn for a finished object that requires minimal washing, such as a shawl as opposed to a sweater. This can help prevent some microplastics from entering our waterways. 

Bio-nylon, which is made in a closed loop system (minimizing chemical waste and pollution), is becoming more available to spinners now. It is biodegradable like natural fibers. Numerous labmade naturally derived fibers are available to spinners as well. In general, fibers called lyocell, modal, and the brand Tencel are made in a closed loop system and are less harmful to the environment than fibers like rayon and viscose. All of these regenerated fibers are processed in a way that uses more energy to get to the same starting point as the natural fibers. 

Not all natural fibers are created equal: flax and hemp production requires much less water and chemicals than cotton. Organic cotton has a significantly different impact than conventionally grown cotton for the same reason. The process of raising fiber animals contributes to greenhouse gas emissions. Some practices can minimize or offset the emissions, and sheep often thrive on land that is otherwise not ideal for farming plants, so wool can still be a good choice! 


Would you like to learn more about sustainable spinning?

Spin Together 2025

We are excited to announce that PLY will be joining in on the Spin Together festivities this year!

What is Spin Together?

Spin Together is about the joy of spinning and the opportunity to share that joy with other spinners. It’s also a fun competition that will take place beginning at noon on February 22, 2025, and ending at noon on March 1, 2025 (noon in your time zone). It all takes place online in Facebook groups, and you can participate from anywhere in the world.

Does PLY have a team?

Ply has TWO teams! Each team maxes out at 25 people and we said, well, one team just isn’t enough! Our teams are called PLY Magazine Z-Twist and PLY Magazine S-Twist. While both of these teams will be full of cool people who read and contribute to the magazine, only one twist direction can reign supreme. Or, you know, each will serve its purpose in its own time or something like that.

How do I join one of the PLY teams?

Between January 28 and February 15, 2025, you will be able to go to this page and sign up to be on a team. The fee is $15 per person, paid directly to Spin Together when you sign up. They also encourage a donation to Habitat for Humanity. Remember, there is a limited number of spaces on each team, so signing up early gives you the best chance of getting on the team you want.

Where will all this happen?

We will host two groups on Facebook for participants to chat and see each others’ progress. We will also host a Zoom spin-in for both teams together at some point during the week! Spin Together also has a Facebook group for everyone participating in the event.

Are the prizes?

Of course there are prizes. On top of the generous contests and prizes offered by the Spin Together organizers, our PLY teams will also have our own challenges! A few lucky winners will win a year-long subscription to PLY magazine! (Either a new subscription or extending your current subscription).

For general information about Spin Together:

More information coming soon via social media!