Mixing Things up for a Sweater
words and photos by: Johanna Carter
I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.
Mixing spinning and knitting
The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.
I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.
Mixing colours and fibres
Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.
Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.
When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.
When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.
I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.
I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.
I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.
Mixing breeds
There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.
Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.
My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.
Sneak Peek: The Spring 2022 Issue
The Spring 2022 issue of PLY hits the shelves early next month, and we are so excited because the topic of this issue is….

GOATS!
This issue has it all: amazing Angora, marvelous Mohair, and cushy Cashmere. We’ll cover processing, dyeing, prepping and spinning these fabulous fibers from our cloven-footed friends. Plus, plenty of pictures of adorable goats to lift your spirits after a long, dreary Winter.
We hope you’re as excited for this issue as we are! Be sure to subscribe (or renew your subscription) by the end of the month to make sure you don’t miss out on this issue!
PLY Magazine believes that Black lives matter, as well as LBGTQI+ lives. Those most vulnerable and persecuted in our communities deserve our love and support. Please be good to each other.
Did you know we also have a monthly PLY newsletter? Sign up here!
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The Hat Queen
words & photos by Jane Daniels
Hats are often a first knitting project because they can be finished quickly and involve only knitting if done on circular needles with a rolled edge.
In 2013, I embarked on an adventure to knit 500 hats, as in the Dr. Seuss book The 500 Hats of Bartholomew Cubbins, and decided every hat needed to be unique. Since I had pictures of hats I had made, I figured I had already knit 100 of them, and I understood basic hat construction of several styles.
Since I’ve been knitting since 1963, my stash had many small balls. It could have been considered the Fort Knox of tiny wool treasures, and I wanted to eliminate them. So I took seven different yarns (dark, light, textured, multicolored, and 3 coordinated colors) and created stripes as I knit the hat. The ribbing was a neutral color and it separated 3 different yarns. By changing one or two of the yarns, I could create hats that were different yet similar. I learned how colors would interact with each other. When someone wanted a particular color for their hat, by using several shades of that color, I didn’t have to worry about the hat matching a particular outfit.

Some balls didn’t have quite enough yarn for a hat. So as I knit, I added some stripes or intarsia. But those projects didn’t completely solve the problem of too many small balls and sometimes contributed additional ones.

My stash also had yarn that came to my house with a message: “My mother [aunt or neighbor] passed away, and she was a knitter. So here is some yarn.” Another message was “I bought too much yarn for a project, so here are some leftover balls for your hat project.” With multiple balls of the same yarn, I knit different style hats or knit the same style hat but changed the ribbing, size, or how I finished the top or added a rosette to the side.
While I religiously swatch for any knitted garments that follow a pattern, I don’t swatch for hats, scarves, or mittens. Because those items are frequently for charity, I know they will keep someone warm.
As my project progressed, I began knitting series, which were typically done within a short period of time. For the most part, the results were for charity. I gave my series names such White Out, which had different types of stripes on white hats. Another type of series was knitting the same base hat, but adding stripes, using two yarns to make stripes, and then using one of them with another yarn.
To add some variety to my knitting, I took pictures of hats or designs I saw that I liked and asked if I could recreate that design.
Viennese Roof top
Or I created something that coordinated with a snow suit. When I visited Iceland, the landscapes and the wool inspired me.

Honestly, some attempts produced better results than others. One can learn from duds, and that hat will keep someone warm, everyone has different tastes.
I addressed color pooling on hats several ways. Knitting one row of a color that was in the ombre yarn and then two rows of ombre either tricks the eye and decreases the impact or creates a design spiraling up the hat.

Another way was to randomly purl 1–3 stitches in the body of the hat and on the following round, purl another stitch or two offset from the first stitches purled. Again, it tricks the eye. A third way is to knit first one row and then use another ball or the other end of the same ball on alternate rows. But sometimes, I just let the pooling happen and added embroidery to make a picture.

While I am primarily a knitter, I also spin, but I don’t produce consistent results. So my stash of handspun textured yarns had either limited yardage or were not good enough for a project. Often, limited yardage means stripes.

But those textured yarns were ideal for a “picture.” Having knit a landscape on a vest, I decided to try knitting a hat with a landscape. Guessing at a gauge, I cast on and then use intarsia to create the landscape, designing as I knit, adding purl stitches for texture. My landscape hats feature mountains, streams, or even the seashore with vegetation in the foreground and a blue sky with white fluffy clouds. There are lots of ends to sew in, which I do.
What did I do with all the hats? As soon as I had a stack, I primarily gave them as gifts to thank people or to charity. My family and friends benefited as well. My daughters and grandkids always checked the pile of hats when they came to visit to see if they might find one they really liked.
My 500 hats project taught me design, construction, and new techniques, and my knitting friends gave me the moniker “Hat Queen.” Making a hat allows you to experiment with color, use some handspun, try different beginnings and endings, see if you like a new technique, or knit with an expensive yarn. Playing with yarn satisfied my urge to be creative and was like an artist’s sketchbook. I could experiment knowing someone would be able to wear that hat and keep warm.

Basic hat
To knit a medium size hat using either worsted or DK, I cast on 88 stitches with either US size 7 or 8 needles if I wanted k2 p2 ribbing or 90 stitches if I was doing k1 p1 ribbing. The weight of the wool and needle size would determine the size of the hat. I worked the ribbing for about 2 inches and knit until the hat was about 5½ to 6 inches. I chose between 2 styles of decreases: I decreased once every 8 or 9 stiches every other row. Or, when I had used k1 p1 ribbing, I decreased every 10 stitches. At some point, I changed to double pointed needles and decreased stitches until I had 8, 9, or 10 stitches left. I then added one of the finishing touches (see below).
A good beginning
The samples in my photos show a variety of ways to begin a hat.
Ribbing –You never go wrong with k1 p1 or k2 p2 ribbing.
Garter – When knitting in the round, remember to alternate knit and purl rounds.
Rolled edge – The easiest beginning, just keep knitting.
Cables – Cast on a multiple of 6 stitches, k4 p2 for two rounds. On round 3, cable the 4 knit stitches and purl the purls for one round. On rounds 4–6 knit the knit stitches and purl the purls; round 7 repeats round 3; rounds 8 and 9, knit the knits and purl the purls. On round 10, continue to knit the hat.
Lace – Use 8 stitches and an 8-row repeat with 88 stitches in the body.
Finishing touches
My photos show various ways I finished the top of the hat.
Easy Peasy– Cut yarn, leaving 10 inches; thread yarn needle and draw through stitches remaining on needle.
I-cord point –Continue k2tog until 3 stitches remain. Make a short length of I-cord so it is just a little point (about inches). Cut yarn, leaving 8 inches. Draw through remaining 3 stitches and weave in the end.
I-cord button – Continue k2tog until 3 sts remain. Make enough I-cord so you can form a button or a knot. Cut yarn, leaving about 15 inches and draw through the remaining stitches. Make a knot and sew down with the remaining yarn.
Crocheted Loops – Cut yarn, leaving 24 inches. Crochet a chain, making loops which you fasten down.
Braids – Cut yarn, leaving 8–10 inches. Thread yarn needle and draw through stitches remaining on needle; bring any excess yarn up through gap in the circle of stitches or supplement as needed. Make small braids using the excess yarn. Make a knot at the end, leaving a small tassel.
Pompom – Cut yarn, leaving 8–10 inches. Follow instructions on a pompom maker. Once you have formed the pompom and secured it, thread the end of the yarn mentioned above through the yarn which had drawn in the pompom back through the top of the hat. Repeat and then secure the end.
When Jane Daniels was 10, her mother’s 2 attempts to teach her how to knit failed. But as a college freshman, she tried again and found she loved it. Since then, Jane has designed and knit more sweaters than she can count, including 7 original designed fisherman sweaters. Find her as JDHiker on Ravelry.
PLY Magazine believes that Black lives matter, as well as LBGTQI+ lives. Those most vulnerable and persecuted in our communities deserve our love and support. Please be good to each other.
Did you know we also have a monthly PLY newsletter? Sign up here!
Did you know we also have a monthly PLY newsletter? Sign up here!
January Vlog with Jacey and Jillian
In this quarter’s vlog, Jillian and Jacey discuss the Winter 2021 Head and Hands issue, starting with the things they love most from this issue. Jacey does some modeling of the gloves and mittens she especially enjoyed. Jillian shares the businesses that contributed to this issue: fiber, tools, and wheels. Which wheel does Jillian really want—and was actually Jacey’s first wheel? Jillian also shows off two new features that started in this issue: Take 5 and PLY Tutes. Jacey—with the caveat that she is not Stephenie Gaustad—demonstrates double drafting using several types of fiber. She also discusses some of the different types of long draw (especially point of contact), and Maggie Casey jumps into the conversation as well. And Jillian shows off the Clemes & Clemes Lock Pop, which she says replaces her flick card and is a really simple and extremely helpful tool.
Next up: Jacey shares some sneak peeks at the next issue—Goats! At the photo shoot with the goats, what did a goat run away with? You’ll also see fiber examples that contributors for this issue sent in for their articles, including the different types of Pygora in lock and roving form. Jillian shares the vendors who will be coming to PLYAway.
And finally, Jacey makes an exciting announcement, which we’re not going to spoil here…
Links to Things Mentioned in the Vlog:
Spinners Phone Stand by Twin Mommy Creations
Shave ‘Em to Save ‘Em Sweater Spin with Deb Robson
Thanks to the following companies for providing wonderful fiber and tools for our magazine!
Camaj Fiber Arts
Mielke’s Fiber Arts
Jessie Driscoll
Knitter’s Pride
Ashford
Bricolage Studios
Frabjous Fibers
Rhapsody Fiber Arts
WebspunWares
Yarn Geek Fibers
Peaceful Prairie Ranch
Abstract Fiber & Yarn
Gritty Knits
Wheels used in this issue:
Kromski Sonata
Hansen miniSpinner Pro
Daedalus Starling
Majacraft Aura
Louet S-10
PLY Magazine believes that Black lives matter, as well as LBGTQI+ lives. Those most vulnerable and persecuted in our communities deserve our love and support. Please be good to each other.
Did you know we also have a monthly PLY newsletter? Sign up here!
Did you know we also have a monthly PLY newsletter? Sign up here!
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