Latest Blog Posts
Ask Jacey #2: Margo is too twisted
This month, Margo asks, “How do you control overtwisting and setting the take up on a scotch tension?” Well, Margo, this is a super common question. Overtwisting is something that happens to everyone, both in the beginning, the middle, and well into our spinning careers. Honestly, every time I switch to an unfamiliar spinning implement […]
Separating a Dual-Coated Fleece Using Only Your Hands
words by Jacqueline Harp and photos by Joseph Harp When a fiber artist chooses to separate and process a dual-coated fleece by hand, it is like unlocking two fleeces from one. A dual-coated fleece is an intertwined combination of a short-stapled, soft, downy undercoat and a protective, longer-stapled, coarser, hair-like outercoat. Once these integrated coats […]
References from Spring 2021 issue
Two of the articles in the Spring 2021 issue (Double-coated) contained a number of helpful references. References from “What Is Primitive? What Is Double-Coated?” by Deborah Robson Christiansen, Carol Anne. “Primitive Wool and Early Textile Production in Shetland,” diss., University of Manchester, 2003. Dýrmundsson, Ólafur R. “Four–Hornedness: A Rare Peculiarity Still Found in Icelandic Sheep.” […]
Book Review: Women’s Work by Elizabeth Wayland Barber
reviewed by Sukrita Mahon First published 27 years ago, Women’s Work: The First 20,000 Years: Women, Cloth and Society in Early Times by Elizabeth Wayland Barber is still considered essential reading for contemporary textile artists. Its importance cannot be understated, considering that thread- and cloth-making have been so vital to our civilisation from the very […]
The double-coated issue is coming!
Spring 2021 Sneak Peek The Double-coated issue is twice as full and gorgeous as whatever you’re reading now! In fact, it’s so full we had to add extra pages (it comes in at a whopping 136 pages). From the softest sheep to “carpet sheep,” from Norway to Arabia, from woolen to worsted, from North Ronaldsay […]
