Karen

Meet the New Editor in Chief: Karen Robinson

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With the publication of the Spring 2025 issue, the news is now official. PLY Magazine has a new editor in chief. 

Jacey has served in that role since PLY began. Don’t worry! Jacey isn’t going anywhere! But the addition of the PLY Spinners Guild and WEFT Magazine mean that Jacey has been making adjustments to her role. Officially, she’s the Publisher and Director of all things in the PLY/WEFT universe. And she very much has a large day-to-day role in the running of each of those entities. But she’s also supported by the rest of the team for PLY, the PSG, and WEFT. 

Enter Karen Robinson. That’s me! I’m not new to PLY. Back in 2014 (I got the news on Thanksgiving Day), I started working for PLY as the magazine’s copy editor. The first issue I worked on was the Leicester issue (rather appropriate since BFL is one of my favorite fibers to spin). In 2018, Jacey asked if I wanted to take on more tasks, mostly involving coordinating with the authors. We briefly thought about calling this role Author Wrangler but decided on the more typical (although less exciting) title of Managing Editor. 

Since that time, I’ve taken on more and more responsibilities at PLY. The one that has been most exciting is meeting with Jacey and Jillian Moreno (our developmental editor) to decide on the articles for each issue. We’ve updated and revised some of our processes – and updated and revised some more. We’ve added new ideas for article series to the pages of PLY and retired others. Holding the print version of each issue in my hands is always such a delight in thinking about everything that went into putting it together. 

So in many ways, this move to editor in chief feels natural in how my role has evolved over my past decade with PLY. And in many ways not much has changed/will change. 

Issue development 

Jacey, Jillian, and I are still meeting each quarter to put together the contents of each issue. Actually, we have made some adjustments here. Now we meet three times for each issue: once to come up with our dream issue, everything we’d love to see in the issue if we could fit it all in. And now after that meeting, I write up the mood board for that issue. Then we meet closer to the submission deadline to start structuring the issue and turning that dream issue into something closer to reality. And we meet a final time after the submission deadline and make final decisions and assign articles to authors. 

Usually after that meeting, Jacey would email authors/potential authors to either clarify an article’s content or to ask if someone would like to write a specific article that we wanted to include but did not yet have a writer for. Contacting authors/potential authors is now my task, and I got to do it already for the upcoming Long Draw issue (Winter 2025), which means I got to make the final decisions on which authors to assign to which articles. None of those were decisions Jacey was against, but it’s possible she would have made slightly different decisions. 

Jacey has always been the one to set up the order the articles will appear in each issue, plotting out how a reader might work their way through the articles in a way that makes sense and adds to the experience. I got to do that for the first time with the upcoming Tension issue (Summer 2025). I did get feedback from Jacey afterwards and made a few changes, but for the most part I’ll be making those decisions for future issues as well. 

One of the other decisions I have more input on is the selection of the cover for each issue. Although she’s gotten feedback from the rest of us at PLY, Jacey has made the final decisions on the photo/illustration for the cover. For the Hue issue (Spring 2025), I made that decision – and it wasn’t a cover that Jacey hated but it also wasn’t what she would have chosen (as she finds it “too cute”). She wanted to use an image that was similar to the cover way back on the Color issue (we originally used that image on the back cover of Hue but made a change to the back cover to honor Stephenie Gaustad). 

Behind the scenes 

I’m learning a lot more about the back end of putting together a magazine. Previously, I didn’t deal with the subscription software or the printer at all. Now I’ve gotten really comfortable with that software (good thing my original major in college was computer science!), and I’m much more in the loop with the communications with the printer. I’ve been learning how Jacey decides how many copies of each issue to print and she’s been asking for my thoughts on a lot of the rest of those types of decisions. 

For a few months, I answered the emails that came into our customer service email address. Our previous customer service person left the magazine toward the end of last year, and instead of hiring someone else right away, I took on that role. It really helped me see the interactions that happen with you, our readers, and the types of problems that come up (as well as compliments!). Although I’m glad now to turn that job over to our new customer service person, Sarah, it was really good to have that experience so I could learn even more about running all parts of the magazine. 

Jacey and Karen at DFW Fiber Fest 2024

I’m much more involved with the other members of the PLY team, coordinating with everyone to make sure they have what they need to fulfill their work. I’ve been meeting one on one with them, and it’s been so wonderful to get to know each one a little better and have more interaction with them. And I took the lead on the search for our new editorial assistant, reading through the applications, making interview decisions and doing the interviews, and then making the final hiring decision. 

Ultimately, although there are some decisions that might be different from what Jacey would have picked, such as the cover art, since Jacey and I have worked so closely (and so well) together for so many years, and will continue doing so, I don’t know that you’ll really notice very many changes to PLY. It will very much remain the magazine you’ve known and loved over the years. 

Quick facts about Karen 

  • Karen has been knitting since 2004, spinning since 2010, and dabbling in crochet here and there
  • She and her husband will be celebrating their silver anniversary this year (has it really been that long?)
  • They have a teenage son who loves video games (especially Minecraft and Roblox) and history (especially World War II); his career goal is to be a video game designer and create historically accurate games
  • They have three Boston Terriers (Luna, Nugget, and Oliver) and two cats (Wall-E and Eva)
  • They live in Texas (Karen was born there and left the state for graduate school but returned)
  • Karen has a PhD in English, with a focus on medieval literature especially the legends of King Arthur
  • She ran a yarn dyeing business, Round Table Yarns, for 6 years (yup, it was Arthurian themed!)
  • She designed knitting patterns as well, under KarenDawn Designs, and self-published two knitting pattern books (Gawain’s Shield and Parliament of Cowls)
  • She hosted a knitting podcast called T-Shirts and Shawls for a couple of years
  • She teaches copyediting classes through the UCSD Extended Studies program
  • She copy edits fantasy books, usually by indie authors, although she’s currently not taking on new clients
  • She loves to read, especially fantasy and science fiction, and is always happy to help recommend a book in those genres to you
  • She really wonders how she finds time for all of the above! 

Karen in a handknit sweater in a field with standing stones and sheep in northern England
Parliament of Cowls, one of Karen's books
Gawain's Shield, one of Karen's books
Karen in her booth for Round Table Yarns
Karen's husband and son and Karen at Medieval Times
Eva and Wall-E
Luna and Nugget
Luna
Super cute Nugget wrapped up in a towel
Oliver

Meagan Condon

PLY: 2024 YEAR IN REVIEW

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PLY has had a full and fulfilling year! We can hardly believe how much we’ve done!

Firsts

PLY had its first booth at a fiber festival! No, really! In September, we attended DFW Fiber Fest and had a blast!

We also had our first full season of the PLY Spinners Guild. That means we produced 13 episodes featuring 8 different instructors. Our more than 1400 guild members have collectively watched 9,743 hours of guild video content. We’ve also hosted 24 Zoom spin-ins!

We also offered our first ever Holiday Guide! We were pleased to present a variety of new products and top-of-the-line small businesses in this fresh format.

A New Magazine

In 2024, we committed to producing a sister magazine to PLY. With the help of smart and passionate weaver Lisa Graves and the PLY team’s 11 years of experience, WEFT was born! In July, the Kickstarter was a success with more than $100k pledged from 1348 backers. The first issue is slated for Spring 2025!

A New Book

We are excited to announce the release of our third book on December 20: Twist by Michelle Boyd. Twist is destined to be one of the “those” books — the ones that earn a permanent spot on every spinner’s bookshelf. It’s a deep dive into every aspect of Twist and how it affects spinning and yarn. It’s also our first hardback book!

Added 2 New Amazing Team Members

In 2024, PLY brought on two new team members: Jeannie Sanke and Meagan Condon. Jeannie has been with PLY since summer and handles advertising for both PLY and WEFT. Beside being a prolific spinner of chiengora, she has more than twenty years of experience in marketing and advertising in the publishing industry. Meagan joined PLY in October as the technical editor and blog coordinator. Meagan has been teaching and writing for PLY almost since the beginning. She has a background in library & information sciences and social media marketing. We are excited to have their combined experience leaning into the new year!

Worked with Some Amazing Contributors

In 2024, PLY worked with a total of 56 authors and designers to produce four issues (91 published articles!): the Growth Issue, the Reference Issue, the Alpaca Issue, and most recently, the Care Issue. Supporting our vision and goal to give voice to our diverse community, of those 56 contributors, we brought in 17 new-to-PLY authors.

Going Forward

Thank you for joining us on this journey! We look forward to a prosperous year full fiber, creativity, community and fun.

Meagan Condon

Innovation at Bam Fiber Works

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When we think about fiber tools, we think about tens of thousands of years of progress and the history of innovation. We imagine the slow roll of progress bringing us to today, where we’ve obviously got everything figured out, right? This is as good as it gets! After all, we’re working in the slow arts, and we don’t need more than a stick to make some yarn. Some of us take joy in being able to prove that all we need is a stick!

Well, sometimes we like to make it a little easier on ourselves. Sometimes it isn’t about proving we can so much as getting the work done. The truth is innovation is happening every day in our fiber world. We have a strong community of toolmakers who are constantly looking to improve the tools we use. One of those toolmakers is Baruch with Bam Fiber Works.

Bam Fiber Works has designed an incredible new feature for a workshop staple and is now offering a self-cleaning drum carder. You read that right! SELF-CLEANING. This patent-pending device is already on backorder through January 2025 as of the writing of this article.

The project to develop an improved drum carder started in 2016. “We wanted to create a drum carder that offered cool features that weren’t already offered in another drum carder on the market. We couldn’t quite put a finger on it, though,” Baruch told me. “The feedback we got again and again was to make the carder easier to clean.”

I personally felt that feedback in my soul. It had recently taken over an hour to deconstruct and deep clean the drum carder in my own workshop; work that needed to be done but that I took no pleasure from. I could have spent that time spinning… or at least catching up on some good television.

Baruch began by testing the concept of some sort of doffing cloth that could be used to remove fiber from the drum. Following many prototypes, he still wasn’t happy with how it performed. Then the magic happened. After a brainstorming session with his brother, Baruch discovered that a drum mounted on two pieces of scrap wood did a superior job. And he didn’t stop there. He wanted to make sure that his tool wouldn’t cause additional wear and tear on the carder itself. “We did over 1000 test cleanings. We filmed as we did it,” he said.

On top of the self-cleaning drum, the Bam Fiber Works drum carder features a number of unique features. Everything – clamps, doffing hook, cleaning brush – all store conveniently in the front tray of the drum carder. It has a magnetic pin lock system that allows pulleys, drums, and handle to be quickly removed, making it “crazy easy to clean.” And parts are designed to be used interchangeable amongst their entire product line.

“We wanted to take the unenjoyable parts out of carding,” Baruch added. “Take away the ‘I dread this’ part so that carding becomes more enjoyable on its own.”

That’s not all. While it is not yet available, Baruch and his team have a patent pending on a handheld version of the drum cleaner that could work with any drum carder. “There’s still a lot of testing to do,” he said. “Other brands have a variety of types of carding cloth in different weights. We want to make sure it works well and doesn’t damage people’s existing equipment.”

We in the fiber community have that to look forward to! In the meantime, readers can get on the pre-order list for this self-cleaning drum carder through the Bam Fiber Works website.

Meagan Condon

Knitting with Dog Hair: New Edition!

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In 1997, the first edition of Knitting with Dog Hair by Kendall Crolius made its way onto shelves. I remember my horrified fascination (a misplaced psychological reaction) the first time I picked it up with all my preconceived notions about what could and should be spun. This book was an absolute eye-opener for me, and it has helped me cope with the loss of some of my furry family members!

Now on its third revision and printing, you can get the updated book just in time for the giving season. To celebrate its latest release on December 3, I had the thrilling opportunity to interview Kendall.

Thank you for taking the time to share a little bit about yourself and your book. There are many in the PLY community who have benefited from your work.

Q: Before you were the world’s leading authority on dog hair knitting, how did you first start spinning?

A: My beloved husband gave me a spinning workshop for my birthday – at a fiber arts store in our neighborhood in Brooklyn, NY. My spinning teacher mentioned “you don’t have to limit yourself to sheep wool – you can spin anything, even dog hair.” I had a sheddy Golden Retriever at the time and started spinning her fuzz.

Q: What drove you to write about working with dog hair?

A: Writing about it wasn’t my idea! I had dear friends, Barbara Binswanger and Jim Charlton, who were book packagers. They had a Great Pyrenees, Ollie, and brought me Ollie fuzz every time we got together. One weekend, I decided to spin it to make them mittens and ended up with enough yarn to make a sweater for Barbara and a vest for Jim.  Jim said, “This would be a great book.” And great visionary that I am, I said, “No it wouldn’t – that’s ridiculous.” Jim and Barb wrote it up as a book proposal and pitched it for TEN YEARS before St. Martins decided to publish the original edition.

Q: What are the benefits of working with dog hair and which breeds are the easiest to spin?

A: The most important benefit is having a garment from a beloved pet. For many breeds, the yarn itself is superior to wool. Any dog that sheds is an ideal candidate. My preferred breeds are Samoyed, Great Pyrenees, and Golden Retriever but that’s because I have specific dogs I love. 

Q: Before you were a writer, you had an incredible career leading the G100 Leadership Network, and before that, in businesses like Forbes and McCann-Erickson. Can you tell me a little bit about your career and how that impacted your choices when writing Knitting with Dog Hair?

A: This is great question! My career and my interest in dog knitting don’t have a lot of intersections. I can say that writing this book has solidified my reputation as an eccentric and a creative thinker. I spent the last 15 years of my business career running a program that helped prepare very senior executives to be the next CEO of their company. When the participants googled me, of course the first thing that popped up was Knitting with Dog Hair – it was a great icebreaker when I onboarded new participants. The leadership lesson is be who you are and bring all of you to your business career.

Q: What is your favorite part of the book to write?

A: I have loved writing about the people who have created cottage industries focused on spinning yarn from beloved pets. With this edition, it was much easier to connect with artisans simply because of the internet. I have formed real friendships with the fabulous people who have adopted this craft.

Q: You are now on the third revision of your book. What has the journey through this all looked like for you? 

A: I am so gratified to have connected with people who have embraced this craft. There are so many people who have created businesses spinning dog yarn for dog lovers who want to create a memento of a beloved pet.

For those who have read the book before, what updates should readers keep their eyes out for? 

I have updated the list of “Spinners Guide to Dog Breeds” with data on breeds that were not recognized in the nineties, including the “designer dogs” like LabraDoodles that were not included in the original edition.

For more than twenty-five years, Kendall Crolius has inspired us to boldly experiment with pet fiber. Her unique insights have expanded the domain of fiber artists everywhere and helped create a niche community of spinners who help dog lovers celebrate their furry family members.

The revised copy of Knitting with Dog Hair is now available. If you don’t already have a copy, now is a great time to pick one up!

Meagan Condon

Alpaca Wool: A Misnomer

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How many times have you heard someone selling their alpaca wool? Or touting their alpaca wool scarf? The only problem is that it isn’t wool. Let me explain!

Fibers can be categorized into a few different classes, including hair, wool, and fur (excluding kemp and guard hair for the moment).

Let’s check out Meagan’s handy chart to get us started.


FIBER TYPE		QUALITIES
CUTICLEMEDULATIONGROWTHDENSITYSEBUM
FURScales overlap, forming as many as 10 layersGenerally present and pronouncedReaches a maximum length and then shedsHigher than 60,000 follicles/sq inchLimited quantity of sebum
HAIRScales overlap, forming as many as 10 layersGenerally present and pronouncedContinuous growth, but sheds500 follicles/sq inch 
Only 100-200 active follicles at a time		Limited quantity of sebum
WOOLIn fine wools, scales overlap, usually forming 1-2 layers.
Scales are barbed		Generally absent or almost absentContinuous, if not shearedUp to 60,000 follicles/sq inchLanolin in varying quantities

Alpaca is actually a hair fiber, like our own hair. Like us, they shed a small amount of their fiber, but it continues to grow and get longer if we don’t cut it. Because of this continuous growth, alpacas have to be sheared regularly for their health.

Check out this microscopic view of alpaca fibers. The first thing you might notice is the dark line going down the center of each fiber. This is the hollow medulla.

Air = Warmth

Any time there is air trapped in a fiber, it contributes to it being a warmer fiber. Air is an insulator. Wool does not have a hollow center, which is one of the reasons why alpaca is so much warmer than wool.

The keratin structures in alpaca fiber are different than the structures in high-memory wool. As a result, the fiber has almost no memory. That means it will not return to its original shape once it has been stretched out. This is great for drape, but not great for anything that requires stretch, like socks or mittens. We often blend wool with alpaca to compensate for its lack of stretch.

While it may be tempting to call alpaca wool because it is so squishy and wool-like, there are some fundamental differences that mean that the fibers behave differently. Are the spinning police going to come after you if you call alpaca wool? No way! Still, it is sometimes helpful to have that scientific distinction to help guide your creative process.

wool from different breeds of sheep demonstrating different lengths of fiber
Meagan Condon

Three Tips for Making Consistent Yarn

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Maybe you’ve just learned how to spin and now you are struggling to create consistent yarn.  Or perhaps you’ve been spinning for a long time and are ready to refine your technique. These tips will help you create a more consistent yarn.

Tip One: Know Your Staple

examples of different breeds of wool showing different lengths of locks from short to long

If you are experiencing problems with inconsistent yarn, it is often related to drafting. Whether you’re a new spinner or an old hand, it is always valuable to go back and check the staple of your fiber and adjust your hands. For newer spinners, it is a question of building up muscle memory. For experienced spinners, it is easy to fall into hand habits and default movements.

Remember, aim to hold your hands roughly 1 to 1.5x the staple length. If your hands are too far apart, you will wind up with thin spots where your fiber drafted too much. If your hands are too close together, you might be wearing out your hands by fighting to draft your fiber from both ends. This can result in thick sections in your yarn.

Also try to reach the same distance into your fiber supply each time you draw fibers into the draft zone.  The deeper into your fiber supply you pull from, the more fibers in your drafting zone and the thicker yarn you will make.

Tip Two: Rhythm, Rhythm, Rhythm

Rhythm is everything in spinning. Consistent yarn requires the same number of twists in a particular length of yarn, throughout an entire skein. If you’re like me, rhythm doesn’t come naturally.

First, try to practice treadling your wheel with nothing on it; no fiber, no yarn. Treadle while watching a movie. Treadle while having a conversation. The more you practice treadling, the more regular you will become, even if you don’t have a strong internal sense of rhythm. When you practice treadling, you are increasing your muscle memory and reinforcing the neural network. The less you have to consciously think about treadling, the easier it is to find rhythm.

If all else fails and you can’t find a natural rhythm, don’t give up. You can always count. You read that right. Count your treadles for each time you draft. Even if you can’t keep a steady treadle, you can make sure you’re still getting the same amount of twist each time you draft. A funny thing happens when you manually count treadles; often, your rhythm and your muscle memory kick in when you least expect it.

Tip Three:  Sleep on It

All this practice sounds fantastic, but there’s one more thing you need to bring it all together – a good night’s sleep. Research has shown that sleep is necessary for the consolidation of information. Basically, during sleep, the brain retraces the neural pathways used for a particular task and determines which pathways are the most efficient. By reinforcing certain pathways, the same information is more likely to travel along those pathways, saving the brain resources. If you’re feeling frustrated after a spinning session, set your work aside and come back to it the next day. You’ll be amazed at the difference it can make.

dog sleeping
Guest Blogger

So You Wanna Learn to Spin

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Hello! If you have found your way to this little corner of the internet, I take it that you are at least somewhat interested in learning how to spin yarn. Well, new friend, you have come to the right place!

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Guest Blogger

Step Away from Your Electric Wheel

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The title sounds like something the “Spinning Police” would say, doesn’t it? No, I’m not here to give you a ticket, but maybe an idea instead. 

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