Mixing Things up for a Sweater

words and photos by: Johanna Carter

I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.

Mixing spinning and knitting

The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.

A highly photogenic collection of naturally dyed fibres.

I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.

Mixing colours and fibres

Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.

Beautiful greens and blues dyed by the author using indigo and other natural dyes.

Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.

Fibres of different types and colours are blended on a drum carder for elegant results.

When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.

An idea for the author’s next sweater in the gathering stages.

When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.

Knitting as soon as the yarn is spun helps the author complete sweater projects in a timely manner.

I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.

I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.

Several charming sweaters dyed, spun, and knit by the author.

I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.

Mixing breeds

There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.

Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.

My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.

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Cover of the Singles Issue

What’s inside the Singles Issue?

The Winter 2015 “Singles” issue is busy making its way to various destinations around the world. Whether you’re a subscriber waiting for your copy to arrive, or you’ve been thinking of subscribing and you’d like a preview before you buy, today’s post is here to give you a sneak peek inside the issue!

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Cover of the Singles IssueJacey’s opening article in this issue starts  – “Any yarn is possible, even singles!” And in this issue, that’s the goal – to show you that spinning a singles yarn is definitely possible, even if you’ve struggled with it in the past. The issue is full of “how” articles that’ll get you spinning, but it’s also got a fair number of “why” articles that’ll get you thinking!

Great Articles!

We’ve rounded up the a talented group of spinners and asked them to share their insights and experiments with us, and as always we’ve got a tip jar full of helpful hints from our readers, humor by Franklin Habit, and how to keep your spinning body happy by Carson Demers! Take a look at what you’ll get!:

  • Singles: Fiber Matters, by Beth Smith – Though it’s true you can spin a singles yarn out of any fiber, Beth Smith tells us what’s what when it comes to choosing a fiber that will give you the best results in a singles yarn.
  • The Race is On: Singles vs. 2-Ply Yarns, by Jillian Moreno – People say all the time that spinning singles is faster, is it true? Jillian finds out!
  • Bias Point, by Elizabeth Watt – Ready to have your spinning mind blown?  Read this slowly and then read it again!  It’s illuminating!
  • Journal of a Singles Sock Yarn, by Grace Shalom Hopkins – Read the journal of a girl wearing 2 socks, one is singles yarn and the other is plied.  You might be surprised by the last entry.
  • Single and Free, by Katherine Johnson – Singles yarns aren’t just for knitting, you know!  Katherine Johnson takes on tatting, tri-pin loom weaving, and naalbinding with singles yarns and it was awesome enough to make the cover!
  • Weaving with Singles: A Test of Abrasion, by Carol G. McFadden – Carol breaks out her rigid heddle loom and tests how 5 different types of singles (different fibers, preps, and spins) hold up in scarves.
  • Taming the Wild Single, by Stephenie Gaustad –  Nobody can tame a wild single like Stephenie and she walks you through various methods and how they work.
  • Hot Button: Tension-Set Yarns – Several experts sound off this issue on the controversial issue of setting a yarn with tension.
  • Spin it! Color-Changing Singles, by Melissa Yoder Ricks –  Melissa loves color changing singles yarns and shares several ways of spinning and using  a singles yarn.

Fantastic Projects

In every issue of PLY, you’ll find a handful of projects for knitting, weaving, crocheting and more – along with instructions for how to best spin the yarns you’ll use in those projects. Here are the projects from the Winter issue:

  • Veila Scarf, by Susanna IC – This lacy, crescent-shaped scarf is knit out of a soft gradient singles yarn. Ann Krieg explains how she spun the yarn for this project using a Falkland wool.
  • Nebel Hat and Cowl, by Susanna IC – Ann Krieg spun the same fiber for these projects, too, but the resulting project is more striped and textured than the gradient scarf. These projects knit up quickly and really showcase the softness of a singles yarn in a project where it’s single-nature won’t be a drawback.
  • Ondulant Scarf, by Carol Feller – A smooth, subtle waving shape makes this scarf graceful and understated.  In the accompanying Spin It! article, Kathryn Benavides will guide you through the process of spinning for this project.
  • Bad Girl Scarf, by Sylvia Becker –   Sylvia uptwists on purpose, and shows how awesome it can be when a good girl yarn goes bad, especially if you just have the right pattern to go with it.
  • Tapestry Weaving, by Deborah Behm – The wonderful and dear Deborah  (whom we will all miss) walks you through an explanation of how to spin singles for tapestry weaving, and also provides a simple and fun project anyone can weave (seriously – you make your own loom!).
  • Weaving on a Peg Loom, by Ann Mickow – A single and fun way to weave — on a peg loom! Ann demonstrates the process and explains how to make a quick and great loopy scarf out of singles yarns.

 

All Everything Else!

PLY-011-contents

You’ll also find Jacey’s article where she talks about how she experiments as a way of  learning more about her spinning. Tip Jar is where you’ll find your fellow PLY readers explain how they control the twist in a singles yarn. In Ergo Neo, Carson tells us to take care of our body when spinning on a spindle. Who’s That Spinner? introduces us to Johanna Carter, who takes us on her journey of learning to knit in childhood and expanding her skills to include spinning as an adult. Check out her spindle-spun sweater!  Scene is full of things on the spinning scene that you’ll want to know about including the upcoming Ply Away retreat, lotion bars, and books and DVDs to enhance your spinning education. Franklin Habit and his pal Lazy Kate are back again with another adorable comic, and in Follow the Fiber Sue Tye and Jill Sanders take us along for their Saori weaving tunic project from fiber to finished object. It’s a beautiful and inspiring story of making no mistakes.

If you haven’t subscribed yet, you can do that right here on our website! And be sure to pick up a copy of this issue if you don’t already have one (or it isn’t on its way to you)!

Use Your Yarn

I teach a lot of classes and I am always surprised at how many spinners I meet who don’t use their handspun yarns for projects. They give me lots of reasons for it. (1) They don’t think they have enough yarn for a project or (2) they don’t have enough matching skeins or (3) they think their yarn is crappy or (4) they don’t really know how to use it or (5) they sell it.

I have answers for all of this and I hope if you are a person who doesn’t use their hand spun yarn that I can help you change your mind. Let’s go through the reasons one at a time.

Number 1: Not enough yarn for a project. 2015-11-29 12.06.07

For this problem, if you are a knitter or crocheter, I love Ravelry. If you go to the Patterns section you can search based on yarn size and yardage for projects and you would be amazed at how many projects there are available for small amounts of yarn. I just finished this Lucky Cowl  designed by Amy King with a teeny tiny skein.

 

Number 2: Not enough Matching Skeins

pinkorangeshawl

It’s funny how we all have some kind of color scheme that we stick to when we buy fiber. what that means is that most of your fiber will coordinate. It doesn’t need to matche exactly to make a project. In addition, this shawl was made with 3 different thicknesses of yarn. and it worked and it’s warm and I love it. This shawl was made using the Knitting Lace Triangle Shawls book by Evelyn Clark

 

Number 3: The Yarn isn’t Good EnoughIMG_20140128_164238

This is a terrible excuse! Here’s the great thing about using your yarn – The lumps get hidden in the fabric or make a nice texture. See the yarn on the right? It’s Columbia, three ply, spun with a long draw which is less consistent than short draw. It also is a roving that has a lot of neps in it so that adds to the texture. I used it for the Hiro hiroSweater which was designed by Julia Farwell Clay. But check ouot the finished sweater! All of those lumps disappear!

I wear this sweater all the time! You can even see the dirt stains in this photo because I don’t want to take it off long enough to clean it. I love it so much I’m thinking of making another one. Probably with lumpy yarn, too.columbiaskirt

I used the same fiber for a weaving project I’m working on. I made the yarn a bit thinner but it still is not very consistent but I made a beautiful skirt from the woven fabric! (Ignore maggie’s messy room behind me.)

 

Number 4: Not Sure What to Do With It

This is where sampling or trying things or just swatching comes in. Maybe you need a beginning knitting/crochet/weaving lesson. Maybe you need to find a group of people who are also interested in yarn. Maybe you should pick out a project from a Ply Magazine issue and work on it.Most of us are spinning smooth yarns and the magazine reflects that but there are plenty of articles, the current issue and a couple of issues coming up that will inspire those of you who love textured yarns.

Number 5: Sell The Yarn

Here is where I will climb atop my very tall soap box. And these words go for even those who don’t sell their yarn but aren’t using it. How can you know how to improve your yarn if it isn’t being used in any projects or swatches? How do you know that it even works as intended? Please, please, please! Use your yarn. See how it acts in the fabric. See if it softens or gets more firm. check if the plying is too tight or too loose. Make sure it doesn’t fall apart or begin to pill before the skein is even used up. These things will make you a better spinner.

If you don’t know how to weave/knit/crochet, ask a friend to try some out and give you feedback. You can always use these samples and swatches to help sell future yarns.

Yarn is not a finished object.

What are you working on with your handspun yarn? Let me know!

And the Winner Is!

Thank you so much for all of you who took the time to review the Texture Issue of Ply. The winner of the batts is Christina Bowers!

 

 

Learning to Love the Singles yarn

Guest blogger Amberlee Venters visits us today with her story of learning to spin outside her own box and give singles yarn a try, both for spinning and knitting. If you’ve ever been hesitant to spin a singles yarn, Amberlee’s story might just inspire you to try an experiment of your own.

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The Inspiration

In my spinning room (if you understand “room” to mean “bin in a closet in a room,”) I have a bunch of 4-oz braids of gorgeous, multicolored roving, which is mostly the result of several years in a fiber club that I never could quite stay on top of. These braids, bags, and bumps sit there, nestled in amongst their brethren, waiting for the day that they will reach their full potential.

I have only knit with singles yarns a few times, and during those experiments I learned of my tendency to remove twist from the yarn as I knit – a super-helpful technique for creating a finished object without a million ends to weave in. This, along with the multitudes of plied yarn available to me, has been enough to generally put me off spinning singles.

As I rarely knit with singles I also don’t tend to spin singles that will remain singles. My goal since learning to spin has been to achieve the coveted sock yarn, consequently I almost always approach my spinning with fingering weight in mind. So the idea of spinning something new, along with the motivation that this new method might result in going from braid to yarn in a shorter period of time, led me to give singles another try.

The Experiment

I sat down with a 4-oz braid of Falkland wool, zero expectations, and no plan. I debated with myself the best way to spin this fiber: Do I go with my default fingering weight? Or, more accurately: Will I be able to achieve anything else at this point? Maybe I should try to aim for something thicker. This is a singles yarn after all, it’s staying a singles yarn. And anyway what if I hate it? Better to have less yarn if I hate it.

As I discovered, spinning singles yarns goes refreshingly quickly! Within a few days I filled the bobbin and exhausted tPicture of Singles yarnhe fiber. Success! I had made a single that would stay a single, and with no plying to do I was practically done!  The next challenge would be winding the yarn off the bobbin. (See above comment re: I accidentally untwist everything I knit.) To my complete surprise I was able to wind the yarn from the bobbin easily and with no breaks. More Success! Perhaps it would even make it through its bath in one piece! Maybe I’d even manage to not felt it into a huge mess! I eagerly drew a tub of water and deposited the fiber within. What emerged some time later (I tend to forget when I put things in to soak. Surely I’m not the only one? No? Just me? Cool) was the most uneven mass of yarn I had created in years. When I first learned to spin I read that once you attain the thin, beautiful, even sock yarn of your dreams it is nigh impossible to spin anything other than fingering weight without extreme concentration and clarity of intent. Since I went in to this with neither of those qualities, I expected the worst. This yarn came out completely uneven and crazy, but also squishier and softer than anything else I’d managed to create thus far. So maybe it wasn’t a failed experiment after all!

Now the real test – could I knit with this yarn without untwisting it and ruining the project? I settled on a simple cowl pattern – the Variance Cowl by Lisa Mutch – a quick knit in case thing went hilariously awry. As it turns out this was a good choice, because I did indeed untwist the yarn while I was knitting. Twice. However, I ended up with a very lightweight, squishy, soft cowl. Lighter than anything I’ve made before, despite its lack of lace and abundance of wacky inconsistencies. This is a revelation! (This wacky hobby of mine is a bit silly out here in California, you see. Making lighter weight items is key to enjoying knitted things for more than a month or two each year.)

Picture of Singles yarn woven

The Results

Confronting my hatred of singles has taught me a few things:

  1. Spinning for singles yarn is speedy compared to the slow spin of sock yarn. This is great news, especially when faced with a seemingly unending bin of 4-oz braids from fiber clubs.
  2. I have to watch my twist, particularly because of my knitting problem. If I had been more fastidious regarding the amount of twist added I probably would have encountered less untwisting in the knitting process.
  3. Not spinning fingering weight yarn is really tricky! I still ended up with a finished yarn that’s somewhere in the range of heavy fingering to sport weight most of the time.

Going into this experience I fully intended to continue disliking singles yarns, but this is not the case at all. I’m sure I’ll experiment more with spinning singles yarns for the sake of singles in the future, but I definitely need to plan my attack more completely (if you understand “completely” to mean “at all”).

Photo of Amberlee

 

Amberlee exists on Ravelry under the slightly embarrassing username: amberleesapain. She currently has no blog but is considering starting one.