Mixing Things up for a Sweater

words and photos by: Johanna Carter

I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.

Mixing spinning and knitting

The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.

A highly photogenic collection of naturally dyed fibres.

I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.

Mixing colours and fibres

Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.

Beautiful greens and blues dyed by the author using indigo and other natural dyes.

Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.

Fibres of different types and colours are blended on a drum carder for elegant results.

When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.

An idea for the author’s next sweater in the gathering stages.

When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.

Knitting as soon as the yarn is spun helps the author complete sweater projects in a timely manner.

I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.

I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.

Several charming sweaters dyed, spun, and knit by the author.

I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.

Mixing breeds

There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.

Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.

My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.

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Why Do Spinning Teachers Teach the Same Classes?

ply teaching blogpost smallerI’ve had a couple of people ask me lately, with all of the spinning teachers teaching these days why do they all teach the same classes?

 

Well they do and they don’t.

 

 

Think about teaching spinning like sneezing, everybody does it, just not in the same way. Some people shake the walls and windows when they sneeze, some have tiny cute ah-choo sneezes, and some hold their noses and don’t let it out at all.

 

Or think about all of the fiction you’ve read in your life. There are really only four stories, but in the hands of different authors they become delightful and unique things.

 

Spinning is the same thing. There are classes about fiber, drafting, color, plying, finishing, etc. But no two teachers teach them the same way.

How a teacher teaches is based on how they spin, what they love, how they were taught and how they like learning.

Some teach through story telling; some follow a strict outline.

Some mosey along; some teach at speed.

Some say, one way only; some give variations.

Some give you 50 choices; some give exactly what you need, no more no less.

You’ve probably had classes from each one of those teachers.

None of them are particularly better or worse, they are just different.

To have a great class experience, you need to find the one(s) that is right for you where you are in your spinning journey right now.

If you take a class with me know that there will be color, because I don’t like to spin white wool for three hours. I tend to go fast, because I want to show you as many things as I can. You will have choices, because some days I don’t want to spin every variation and some days I just can’t spin blue fiber. And I rattle the walls and windows when I sneeze.

That’s me, no two teachers teach the same way.

 

So how do you choose?

You might know you’re in the mood for one type of teacher or the other. You might be besotted with a topic and want to hear what every teacher has to say on it.

You can ask other spinners who have taken a particular teacher’s class what it was like.

Be sure to read the class description carefully, between the lines – if you want to dabble in a topic, you want to avoid classes with the phrase in-depth. If you are a knitter you may not want to take a class with a teacher that spins to weave. If it says 12 ways in three hours, you will be spinning quickly.

If you have questions email the teacher and ask, we’re always happy to answer.

I still take as many classes as I can squeeze in because there is always a different combination or approach to spinning, and I always come away from a class having learned something new.

Review the Texture issue and win some batts!

small colorful battsIt’s that time again, the time when I ask you to review the current issue. I want to know what you think. I have some gorgeous textured batts to send one lucky reviewer/subscriber. They’re the kind of batts that make fantastic corespun yarn, the kind that Steph Gorin wrote about in this very issue. If you’ve never tried this technique, it’s be the perfect opportunity to give it a whirl. Of course, if you’ve already tried it, you don’t have any need for more fiber do you? Oh, right, spinners always need more gorgeous fiber!

So here’s what you do. Just leave a review for the texture issue of PLY Magazine here, under the review tab. Also make sure to leave your name! On December 3rd, we’ll use a random number generator to pick a number, find the comment that matches that number and announce the winner! We’ll use your name to look up your address and ship your gorgeous batts the very next day! You’ll be corespinning in no time!

Want to Spin Faster? Find Your Focus

Moreno 12 Varigated 2 smOver my years of spinning I’ve noticed something that helps me spin faster, focus. Not just focusing on the spinning, but what entertainment helps me spin.

Sometimes I watch movies or TV, sometimes I listen to music or books, sometimes I hang out with friends while I spin. Each one has an effect on the speed of my spinning.

Here’s what I’ve figured out works for me. Hanging out and spinning with friends is my favorite, but I spin my slowest. When I’m social spinning, I tend to pay the least attention to my actual spinning, and I stop and start the most. There’s a lot of show and tell, getting tea and snacks and wanting to try everything my spinning pals are doing.

I thought that watching movies or TV would be my fastest spinning friend. Nope, it’s as much distracting as it is relaxing. I can spin just fine without looking at my spinning, but looking away splits my focus, especially if what I’m watching is exciting or has a lot of tension (think Walking Dead). And watching television with commercials really puts my spinning rhythm off.

Listening to music is OK, but finding exactly the right music that fits mood and treadling speed sometimes combo drafting Moreno 1 SO SP15is hard. When I first started spinning I tried to spin to bluegrass because I thought I would spin faster to faster music. I spun horribly over twisted yarn instead. Note to self: treadles do not work like an accelerator in a car.

The best thing for me to really fill bobbins is to listen to audio books. It doesn’t matter what I listen to; it can be Girl with the Dragon Tattoo or Harry Potter, but it has to be a book not a podcast.  Something about listening to stories puts me in the best flow. I watch my spinning, but am transported and entertained. I’m always surprised at how much I get done when I listen vs. watch something.

Do you get into your spinning flow by watching or listening?