Mixing Things up for a Sweater

words and photos by: Johanna Carter

I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.

Mixing spinning and knitting

The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.

A highly photogenic collection of naturally dyed fibres.

I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.

Mixing colours and fibres

Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.

Beautiful greens and blues dyed by the author using indigo and other natural dyes.

Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.

Fibres of different types and colours are blended on a drum carder for elegant results.

When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.

An idea for the author’s next sweater in the gathering stages.

When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.

Knitting as soon as the yarn is spun helps the author complete sweater projects in a timely manner.

I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.

I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.

Several charming sweaters dyed, spun, and knit by the author.

I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.

Mixing breeds

There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.

Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.

My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.

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PLY Guild: Second Season Drop – Episode 3

I am thrilled to report that the third episode of the second (worsted) season of the PLY Guild has dropped and is almost ready for your viewing pleasure! It’ll be up on July 18th (we had a little family emergency and so it’s running behind 2-3 days).

This episode is all about combs! You’ll learn how to choose combs and use combs from some great teachers including: Maggie Casey, Laura Linneman, Michelle Boyd, and Jacey Boggs Faulkner. We’ll cover 2-pitch Viking combs, 4-pitch English combs, 3-d printed combs, combing with clamped combs, combing with unclamped combs, combing with a hackle, dizzing, and planking! It’s a long episode so set aside some time, get out whatever combs you have (or some fiber and a wheel/spindle) and enjoy! If you don’t have combs, don’t worry, the next episode is all about creating worsted preparations without combs! 

Watch the episode now!

We’ll see you again with a new episode in six weeks (but in the meantime, come see us in a spin-in)! If you haven’t already gotten your membership, this is an episode you won’t want to miss! 

Join the PLY Spinners Guild here 

If you’d like to learn more from your favorite fiber instructors, make sure your membership is active! Each month is jam packed with new instructional videos and virtual spin-ins. Membership is cumulative, meaning you get access not only to the current episode, but also to every previous episode and recorded spin-in as well. 

The PLY Spinners Guild (PSG) hosts three 90 minute spin-ins every month: 

  • On the first Sunday of every month, guild members meet and spin at 5 p.m. Pacific.   
  • On the third Sunday of every month, guild members meet and spin at 10 a.m. Pacific. 
  • On the third Thursday of every month, guild members meet and spin at 5 p.m. Pacific. (This is the Building Skills Spin-in for spinners who want a less technical experience than our other spin-ins!)

The guild is priced at $85/year or $12/month. This is a very good deal for the amount of information and community you will get, especially since new video lessons are added every six weeks! This fee allows us to pay for the substantial hosting required by so many high-def videos and the charge per member to access the site, along with fairly compensating the teachers, editors, and everyone involved in making the guild work. 

If you aren’t already a member, we think you’d definitely enjoy it! 

The PLY Spinners Guild is a space for spinners at all levels of spinning. We are an inclusive and diverse community that embraces all spinners and welcomes everyone to create a brave space to question, challenge, and support one another. We strongly believe that the more diverse our community is, the stronger our community is. Our core beliefs of kindness, diversity, and inclusivity inform everything we do. Racism, sexism, and other forms of oppression will not be tolerated. We reserve the right to remove anyone who meaningfully and purposefully disrupts the community or makes other members feel unsafe. 

Breed Development through Upgrading

Many of the sheep breeds found in the United States are being developed through a technique called upgrading. The United States (like many European countries) has strict regulations on the importation and exportation of live animals and particular breeds. As a result, there are many wonderful sheep breeds that can’t be brought into the United States, like Gotland, Teeswater, Herdwick, Bluefaced Leicester, and Black Welsh Mountain. And yet there are American flocks of all these breeds! 

While we can’t import these sheep, we can import semen. A breeder will choose a breed that is close to the breed they want. For example, if a breeder wants Teeswater, they might choose another longwool breed like Leicester Longwool. A Leicester Longwool ewe is inseminated with semen from a Teeswater sheep. The result is a 50/50 genetic blend. This second-generation sheep is then inseminated with Teeswater semen. The resulting lamb is 75/25 Teeswater.  

This process is continued until the sheep being bred have primarily Teeswater genes. An upgraded flock will never be 100 percent genetically the same as the original breed. American Teeswater may be 95–99 percent Teeswater. But chances are you or I would not be able to tell the difference unless one population or the other were heavily modified. 

At this time, Valais Blacknose – the cutest sheep in the world – are being introduced to the United States via upgrading. 

Upgrading is one way we can help preserve breeds and populations that are rare or threatened. Sometimes there aren’t enough sheep left in a population to have sustainable genetic diversity. Upgrading offers a solution for saving threatened breeds. 

Have you ever spun a fleece from an upgraded sheep? If so, what genetic percentages did it have? What qualities did the fleece have? 

A small flock of Teeswater sheep. © Copyright Paul Buckingham and licensed for reuse under Creative Commons License CC BY-SA 2.0.

Book Review: Swatch Critters by Deb Essen

Swatch Critters from the Pin Loom: Step-by-Step Instructions for Making 30 Cuddly Animals from Woven Squares

by Deb Essen
Publisher: Schiffer Craft
US$24.99, 168 pages
Publication date: August 28, 2025
Buy now at Bookshop.org
Review by Meagan Condon

I am usually hesitant to review pattern books, in part because it takes so long to test out the patterns and I sample far more than I do actual projects. However, Essen managed to set the hook (a size G crochet hook, if you were wondering) and reel me in for this one. 

I have always loved pin loom swatches, and I have an ongoing affair with my Schacht Zoom Loom. I could make little woven squares all day. However, like many others who have taken to the pin loom, I have an unruly stack of said squares that spill out of my stash in anxiety-inducing disarray.  

I’ve looked for ways to use them, but I’ve never been terribly impressed by most of the patterns out there. I’ve found that patterns for using pin loom squares tend to be overly simplified and clumsy. And a scrappy swatch blanket just doesn’t appeal to me.  

Essen’s work immediately caught my eye. The creativity and complexity of the designs goes beyond what I’ve seen in other pin loom pattern books. From Eureka the Unicorn to Pablo the Peacock, the patterns are all adorable. Critters for the win.  

Essen also does a great job explaining how to use a pin loom. Being a left-handed crafter, I found it particularly useful that she included instructions for using the Zoom Loom both left- and right-handed. All of her instructions are clear and concise and the photos are helpful in visually explaining the text. 

After the critter patterns, Essen includes some weaving patterns to add texture to your swatch squares, a great way to customize your critters. 

If you are looking for a way to use up all the scrappy bits of handspun in your stash quickly, this will do it with flair!