Mixing Things up for a Sweater

words and photos by: Johanna Carter

I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.

Mixing spinning and knitting

The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.

A highly photogenic collection of naturally dyed fibres.

I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.

Mixing colours and fibres

Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.

Beautiful greens and blues dyed by the author using indigo and other natural dyes.

Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.

Fibres of different types and colours are blended on a drum carder for elegant results.

When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.

An idea for the author’s next sweater in the gathering stages.

When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.

Knitting as soon as the yarn is spun helps the author complete sweater projects in a timely manner.

I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.

I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.

Several charming sweaters dyed, spun, and knit by the author.

I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.

Mixing breeds

There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.

Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.

My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.

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PLY Spring 2022 The Goat Mood Board

Goats Goats Goats! Their fiber has been spun for centuries, creating a continuum of yarn that spans super strong to downright luxurious. Come celebrate these glorious creatures with us!

Tell us what you know about the difference between goat fiber and sheep’s wool.

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Do you have a favorite yarn that uses goat fibers, even, textured, or art? Can you show us how to tail spin? Lock spin? Can you reproduce the very popular mohair and silk commercial yarns? What about yarns for strength and reinforcing? What about socks? Tell us what you know about mohair vs nylon in sock yarns. Do you know the history of mohair or cashmere? Have a good goat story?

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What is dehairing and how do you do it? What is faux cashmere, and is it worth using?

What about color? How do you keep the shine when dyeing mohair? How do you dye locks? What are tips for dyeing over a natural cream or brown cashmere?

What about other goats? What can you tell us about Cashgora, Pygora, Pycazz, and Nigora? Why would you choose these fibers instead of mohair or cashmere?

What luscious things do you make with goat fibers? Are they warm? Do they have extra drape? Or are they just amazingly luxurious?

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Reader Feature: Ruth Venables

words and photos by Ruth Venables

Tell us a little bit about yourself and how you got started spinning. My mother and grandmother always encouraged me to be creative, and I really enjoyed visiting craft shows with them growing up. I was lucky that my primary school had some great volunteers who came in each week to teach us art and craft, and this is where I discovered weaving and then spinning, which was demonstrated for us to learn where yarn came from. My mum made me a drop spindle, and one of the school volunteers agreed to give me a few lessons on her wheel, and that’s where my love of spinning really began. I joined a local group and got my first wheel (an Ashford Traveller) soon after.

Rainbow through the clouds fibre club yarn, wheel spun and chain plied

Do you have a favorite type of yarn to spin? At the moment, my standard yarn seems to be a sport weight 2 ply; I’ve been really focusing on creating smooth and consistent yarns to knit a sweater, but I’ve also been spinning lace and thread weight on my Turkish spindle. I’d like to have a go at creating art yarns next.


Wheel spun yarn for a fade sweater

What do you like to make with your handspun yarn? I love a good scarf or shawl knitted in handspun yarn; now the weather is cooler I really look forward to choosing one to wear because it makes me so happy to be wearing something I’ve made! I’ve also been using my handspun yarns for weaving on my knitter’s loom to create scarves and cloth I can cut for jackets.


How long have you been reading PLY? I’ve been reading PLY since the very first issue. I was so pleased to find a spinning magazine that was colourful and relevant for the modern spinner. Before I read PLY, I had been led to believe that handspun yarn had to be woollen, 2-ply, and never, ever forward drafted. Imagine how my eyes were opened!

What do you look forward to most when you get an issue? I love to find a quiet moment and sit down with a cup of tea when I open my issue of PLY. My favourite articles are about techniques as I always find there’s something new to learn and I also love reading the reviews of wheels, spindles, and equipment. Although I sometimes find the articles quite technical, it really deepens my understanding and I’m a better spinner because of it.

Turkish spindle in yarn bowl

Tell us about a project you worked on that was inspired by an article, project, or issue of PLY. I was really excited to read the support spindle issue as this is a new technique I’ve learned this year. I have used a drop spindle since I learned to spin, and last year I bought a Turkish spindle to add to my flock. This was soon joined by a support spindle, and I figured that if I could spin on a drop spindle it would be easy to transition. I watched a couple of videos and read an e-book and could spin quite smoothly, but I was finding it hard work; I could control the spindle, but the fibre and yarn was unruly – maybe it wasn’t for me?


My first batt and singles on my support spindle

When I swapped to a support spindle, I presumed that I would use my normal fibres, straight from the braid like I would for spinning at my wheel, but after reading PLY I could see where I was making mistakes, and I realised I needed to make some changes and start over. I changed my fibre straight away and reached for 100% alpaca; I would never consider using this with my wheel as it’s so fine, but it seemed it was made for the gentle art of support spindling.

I also read with amusement that I had been holding my fibre supply incorrectly and needed a lighter, more lady-like hold, so I carded an airy rolag and followed the photos and directions – suddenly I could spin on my support spindle without a death grip on either the fibre or the spindle and the yarn was flowing beautifully! My support spindle is now my friend, and we spend many happy evenings together spinning superfine fibres into yarn.

Support spindle singles Andean plied on my Turkish spindle
Support spindle woollen-spun alpaca (pink) and Jacob wool (orange)

Is there anything else you’d like to share with the PLY blog readers? Try different fibres. In general, I’m a wool or wool blend spinner, but I’ve spun some wonderful yarns on my support spindle by using finer fibres that I wouldn’t normally consider. I’ve become a better spinner by adventuring outside my comfort zone!

You can find Ruth on Ravelry as Ruthietoothie.

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PLY Magazine believes that Black lives matter, as well as LBGTQI+ lives. Those most vulnerable and persecuted in our communities deserve our love and support. Please be good to each other.