Mixing Things up for a Sweater

words and photos by: Johanna Carter

I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.

Mixing spinning and knitting

The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.

A highly photogenic collection of naturally dyed fibres.

I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.

Mixing colours and fibres

Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.

Beautiful greens and blues dyed by the author using indigo and other natural dyes.

Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.

Fibres of different types and colours are blended on a drum carder for elegant results.

When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.

An idea for the author’s next sweater in the gathering stages.

When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.

Knitting as soon as the yarn is spun helps the author complete sweater projects in a timely manner.

I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.

I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.

Several charming sweaters dyed, spun, and knit by the author.

I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.

Mixing breeds

There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.

Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.

My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.

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PLY Registration Rocked!

As the clocks clicked over to 10:00, everything went live.

I was nervous that I was throwing a party that nobody would come to (highschool was a tough time for everyone, right?) but at 10:01 we had 2 orders! The guides worked! Those first 2 spinners went through there like the wind! Or like somebody posted on Ravelry, like silk.

By 10:11 we were 48 registrants deep and Stephenie’s 2-dayer was sold out! By 10:20 Deb’s 2-dayer was gone too! Over the next hour over 110 spinners zipped through registration and by the end of the day we topped out at 150 spinners, most with full schedules.

Here’s how it shook out:

All the 2-day classes are sold out except for Coleen Nimetz’s Silk, the temptress unraveled, which is dangerously close to being sold out too! If you want this class, hurry, Coleen is amazing! I had her as my 1st year teacher in the Master Spinning program and she knows lots of secret things about silk!

There’s a bit more space in the 1-day Friday classes. Jillian’s Cheaper by the dozen class is long gone and it’s soon to be followed by Esther’s Wild Fibers class and Amy’s Sock it to me, both of which should be awesome and lots of fun.

The other 2, Illegal yarns and Technically Twisted both promise to be great but very different. Illegal Yarns is taught by the great Patsy Sue Zawistoski and she’s got such a brain in her head that I just want to walk behind her all day and hope some leaks out onto me. It’d be gross but probably worth it. Her class should be super fun and teach you how to break all those rules you want to break but are afraid to. Technically Twisted with Michelle is going to blow your mind! Michelle is the lead teacher for the Master Spinning Program and girlfriend can spin! She’s cutting her teaching down some after this so get in this class if you can! You’ll learn a ton, I can promise you that! If you can’t get in the 1-day, any half day with her would be worth your while!

The half day classes are a mixed bag. Many sold out right away (but some have other time slots available) and lots are on the brink. The totally gone ones are Deb’s and Jillian’s but Beth’s Going Steady which I may sneak into, is almost there as are all of Abby’s spindle classes and most of Amy King’s classes. Amy Tyler’s variations on long and short draw classes are also pretty full.

Ones that should be sold out but are only half full:

Silk Tasting: all the silk! Testing, trying, learning from a silk master! Seriously, I can’t believe there is any space! Did you read her silk articles in the Silk issue? Amazing!

Twist and Twine: If you have space for one more class, take this! Chris is so fantastic, you love her articles, she’s better in person!

Maximize your minis: I’m not as good at fiber prep as I should be so don’t be surprised if I totally crash Michelle’s classes! She knows so much.

Twist for Grist: If you want to know how to adjust the size and feel of your yarn, get in here! Michelle is great with twist and grist and again, she just knows a ton about spinning.

Wild Combing: It’s Esther, come on, the queen of texture!

There are a lot of great classes gone but there are still some gems to be had. I scheduled each of these classes/teachers based on how great I knew they would be, the things that I want to learn, and the people I want to learn them from. It’s going to be amazing no matter what classes you get! If you want to come, here’s the reg page!

And to those spinners that made yesterday such a success, thank you so much! And Jessica, man alive, you were outstanding!

PLY Away Winners and Registration

It’s coming!  Registration for the first annual PLY Away is only a few short days away (Wednesday, Nov 11th at 10 am, CST).  We’ve made a few guides to help you choose and to get you ready for the registration process, they’re here !  I think they’re really helpful so take a look if your plans on Wednesday include constantly reloading to see if it’s live yet.

We have had our first batch of early registration winners through already and except for a couple of small things (that we’ve since fixed) everything went swimmingly!  There’s another batch of 10 registering the day before it opens for real and I think it’ll go off without a hitch.

When it does go live on Wednesday, I’ll also post the registration button on this blog and on facebook, just in case the PLY Away site goes cabloohey (which totally shouldn’t happen) you’ll still be able to get to the actual registration page on EventBrite.

Now on to the fun news!  You know we had the scholarship raffle, right?  Donate to the raffle and get a chance to register early or to win a free trip to PLY Away etc.  Well, we have our winners!

Our actual scholarship is going to Devin Helmen and our big raffle winner is Ruth Blau!  Congratulation to both, I can’t wait to what happens!  

A Little More About Consistency

Last month I talked about consistency and gave you a couple of my favorite tips but I left out the one thing I do at the start of every project. I make a sample card.

I know that lots of people love those spinner’s control cards with the diffeerent line thicknesses to compare your yarn to.  I have a couple of those laying around but I find I am more consistent over the whole project if I make my own and it only takes a minute.

 

I find it easier to compare the singles this way. My eye can see it easier and I spend less time trying to figure out if IColumbiasamplesmall am remembering the correct line or if the yarn was slightly inside the line or not. Check out my card. This is the card I used for the columbia yarn I am using for the skirt I made on my floor loom and the one that is currently being woven on my rigid heddle loom. So that’s about 10,000 yards of 2 ply that I needed to spin. Obviously, consistency of yarn was pretty important. And it all was spun using this lowly card as a reference.

This particular card is done on a blank index card. I also use those large shipping tags which are easy to attach to my wheel if I have a long term project happening.

It’s pretty simple. I take the singles and wrap them around the card several times. I just tie the ends together on the back. You can tape them but tape doesn’t necessarily staty stuck forever. This is my reference during the spinning of the singles.

I punch 2 holes in the card and make a ply back sample that is 2 ply and 3 ply. These are my references for a balanced ply. I don’t always match this exactly but it is my starting point. If I want a more drapey yarn I may put less twist and if I want a sturdier yarn or a more elastic yarn I might add more twist than the balanced angle. But I always have this reference of fresh twist as my refernce.

I make both a two ply and a 3 ply sample regardless of what my plan is for the yarn because I save some of these cards for future reference so I can avoid all of the sampling that happened before the start of the project. I have a lot of these cards.

On the card I write the kind of fiber and the preparation – this card should say roving corriedale1but I neglected to write that. I write the spinning method and often I will add the rhythm I’m using like 12 inch draft to 5 treadles. Again, I didn’t write that here but let me give you a photo of a card I did the right way. This Corriedale project card has all of the information I need to reproduce this yarn. Often I attach it to the swatch or sample I made with the yarn to make sure the yarn would work. All of these samples go into a bag with that breed so I can find them later.

I hope this extra little tip has helped. It’s so easy and has made a huge difference in my spinning projects that require more than 4 ounces of yarn.