Mixing Things up for a Sweater

words and photos by: Johanna Carter

I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.

Mixing spinning and knitting

The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.

A highly photogenic collection of naturally dyed fibres.

I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.

Mixing colours and fibres

Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.

Beautiful greens and blues dyed by the author using indigo and other natural dyes.

Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.

Fibres of different types and colours are blended on a drum carder for elegant results.

When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.

An idea for the author’s next sweater in the gathering stages.

When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.

Knitting as soon as the yarn is spun helps the author complete sweater projects in a timely manner.

I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.

I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.

Several charming sweaters dyed, spun, and knit by the author.

I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.

Mixing breeds

There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.

Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.

My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.

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Maureen Burns, come on down!

Using a random number generator  and the comments on the last blog post, it turns out that luck was on the side of Maureen Brown tonight!  She’s our fiber winner!  Shipping out to her is 6 ounces of Spunky Eclectic’s Golddigger in merino/linen!

Stay tuned, we have the fiber from Anne Podlesak’s Brighton top to give away too!  Plus lots of other goodies.

And if you haven’t noticed that we now have cute little web ads over there  ————————->

Notice, darn it!  Do you want one?  They’re super adorable and very affordable!  If you don’t want one, consider supporting the companies that do advertise with us (just make sure you do it via the ad or they won’t know that their ad is working! Without them we couldn’t make PLY, plus they make cool stuff.

xo,

jacey

 

Fiber give-a-way — Elektron scarf!

I know that Bernadette, PLY’s photographer and my very best friend, is catch-your-breath-fall-down gorgeous (not to mention talented). It’s also true that anything, absolutely anything, would look beautiful on her. But given all of that, the Elektron scarf,  by Kristy Howell from issue #4, really is stunning.

howell3There’s something about the delicate lace, the slightly rustic character of the fiber (60% merino wool/ 40%flax), and the complex goldnenrod color, when combined, just shines.

Well guess what I have in my hot little hand?  Yep, enough of that exact fiber from Spunky Eclectic’s in gold digger — to spin and knit your very own Elektron.  Would you like it?  You would?  I thought so.  I feel like I know you so well.  And you know me right?  You know that I’d like to give it to you.  All of you.  But since I have just enough for one project, I’ve got an idea.

I need something from you.  I’m collecting spinning snapshots for a very special project in our next issue — the community issue.  I need lots.  Lots and lots.  Like hundreds!  So if you send me a digital snapshot of yourself or a friend/friends spinning (please make the subject of the e-mail snapshot) and then leave a comment on the blog saying you sent it and that you’re okay with us publishing it — you’ll be entered in our random drawing!

Don’t worry about it being the best shot ever, it’ll be very very small so nobody will notice if your yarn isn’t even or if you don’t have your good bra on.  However, I do need it to be of people spinning!

Okay?  Sound good?  Let’s do it!

Step 1. send a photo of yourself spinning  to Jacey (with snapshot as the subject of your email).

Step 2. comment on this blog post  that you sent me the snapshot.

Step 3. On Friday, July 11th, I’ll announce the winner and ship out the fiber!  

love,

jacey

We made a mistake in Twist

We are sad to announce (here and on the Twist issue’s extra page) that we made a mistake. A big mistake.  Through no fault of the author, in the issue about twist, in the photos in article about measuring twist angle —  we totally did it wrong.

thats0degrees

See, you’re supposed to line your yarn up with 0 (zero) degrees. As you can see in the magazine on the paper twist guide behind the purple one, 0 (zero) degrees is often in the middle of the twist guide. But not always.  On this purple one, it’s the horizontal line at the bottom.  And that’s where our trouble began.

notthat

Yep, we lined up our yarn with the mid-line. In this case, the midline is 90 degrees!  Not 0 (zero)! Which made the twist angle we reported INSANE! Seriously, a 75 degree angle of twist – that’d be something wouldn’t it?  Fishing line socks, anyone — they exfoliate and never wear out!

thisway

Above is how, for this particular twist gauge, we should have aligned the yarn, along the bottom, like a yarny horizon.  But we didn’t do it that way and we’re very very sorry.

sorry