Mixing Things up for a Sweater

words and photos by: Johanna Carter

I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.

Mixing spinning and knitting

The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.

A highly photogenic collection of naturally dyed fibres.

I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.

Mixing colours and fibres

Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.

Beautiful greens and blues dyed by the author using indigo and other natural dyes.

Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.

Fibres of different types and colours are blended on a drum carder for elegant results.

When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.

An idea for the author’s next sweater in the gathering stages.

When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.

Knitting as soon as the yarn is spun helps the author complete sweater projects in a timely manner.

I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.

I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.

Several charming sweaters dyed, spun, and knit by the author.

I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.

Mixing breeds

There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.

Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.

My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.

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Give-away: What do you think of PLY Magazine?

Hi everyone!

PLY Magazine has been around for almost 4 years now and it’s going pretty well, I think. We’ve spent some time learning how to make a magazine and then we spent some more time learning how to make it great, but we haven’t focused much on marketing and now it’s time!

The short of it is, our low-ad/good-quality paper/fair wages model relies on subscribers to pay the bills so we need more subscribers. Since people are doing more and more research before they commit to buy or subscribe to something, we need to show them this magazine is worth it! That’s where you come in.

We’re building a review page on the website. If you have a few minutes and would write what you think of PLY, either as a spinner, a teacher, a contributor, or any combination, that’d be so great!  

Feel free to post your reviews and endorsements here (with a name we can attribute it to) and I”ll extract them and build the page soon. 

mosley2-web
Next Friday (11-11), I’ll randomly draw 2 people that gave reviews and send them 1 of 2 wonderful prizes. The first is the fiber from Melissa at Wild Hare Fiber Studio that we used in the gorgeous Traveling Hood designed by Jolene Mosley for the latest issue of PLY.  You’ll get 4 ounces of the colorway and 4 ounces of the solid so if you want, you can recreate this exact pattern, all you’ll need is a mysterious cloak and a wandering road.

The second random winner will get something secret, something from the PLY Magazine studio. I can’t say what it’ll be but if you’re a spinner, you’ll want it!

Thanks for all your support and we promise we’ll keep getting better and better

DIY Community

Today we have the pleasure of visiting with Rachel Anne MacGillivray, who is here to remind us of the importance of community and how to start your own if you haven’t got a fiber community nearby.


I have a friend, Anna, who’s a lovely and talented woman and, like me, has the Fiber Fever.  We recently spent a Sunday afternoon working together in her studio because  I had a project I wanted to make that called for some extremely chunky corespun.  The jumbo bobbin on my spinning wheel wasn’t up for the job, but Anna has a Country Spinner that she was all too happy to let me use.

img_3211She felted and I spun, and while we worked away we chatted, shared stories and happy silences, and all around enjoyed the satisfaction of being with someone who really, really gets what you do.  Oh, and tea.  We drank lots of that.

While I was there I got thinking about all the different people in my life who are also into fiber and the various groups I belong to, and how they all enrich my experience of making.  I don’t know about you, but often, after a long week, I have the urge to hole myself up in the house and just spin or fiber all of the hours away (ok, yes, occasionally I do this and love it).  But, just as important is getting out there and being with people while you make – building up and taking part in your personal fiber community.

 

rachel-country-spinningThere are the obvious benefits of course: talking, laughing, having fun, and the joy that comes with sharing.  Here are some other great reasons for building your own fiber community:

  • Resources: Have a question about a technique? Looking for just the right book? Odds are someone else has suggestions, tips, and lots of ideas for you.  More bodies = more heads = more knowledge!
  • Encouragement & inspiration: This is my favourite. ‘Nuff said.
  • Support: Be it emotional, moral, learning, or even financial (lots of guilds & groups have awards/ grants), having the support of a community goes a long way.
  • Sharing: Being part of a group can mean access to resources and events you wouldn’t otherwise have had by sharing things such as equipment, space, or booth fees at a sale. I belong to a fiber group that has a loom for any of us to use (in lives at one member’s house).  How cool is that?
  • More strengths & interests: Do you love to spin, but don’t dye? Maybe someone in your groups lives for wild carding but doesn’t spin.   Support each other’s businesses, or trade fiber for fiber/casseroles/craft beer.  A vibrant community is good for everyone! (I often trade handspun for knit socks, which my toes love!)
  • A reason to Make and push yourself: Days get busy & sometimes it’s hard to squeeze in making, but I love that when I have a meeting coming up it motivates me to sit and spin & try new things.  Sometimes that’s before my meeting and sometimes just during.
  • Laughter & companionship: I know I said it at the beginning, but it’s just such a great part of the whole thing! It’s wonderful to share the thing you love with people you love, but to share the thing you love with people who love it to, and grow to love those people?  Well… That’s just rosy.

 

anna-feltingNeed some help finding YOUR community?  Here’re some ideas to get you started:

  • Local: Look for guilds in your area (try spinning, fiber arts, knitting, etc).  Check out yarn shops and libraries to see if they have groups that meet.  Keep your eye open for “makerspaces” or other community centers and comb your local craft sales and fairs for spinners.  Don’t be afraid to ask where they hang out.
  • Regional: find regional retreats, seminars, festivals, fairs, and workshops with google, facebook, and magazines.  There are at least 7 annual fiber arts retreats in the Canadian Maritimes, and some have spawned smaller get-togethers for those who just can’t wait a year!
  • Internet: Get involved with an online community like Ravelry, Craftsy, or Reddit (reddit.com/r/knitting has spinning) or look for groups on Facebook.  Want a more localized one? Start a Facebook group for spinning in your region.  Instagram is also a great resource!

Don’t be afraid to start your own group; you may be surprised to see where it goes and who you meet.

 

Further Resources:

Interweave guild directory

Handweavers Guild of America, Inc local guilds directory
Have some other suggestions or ideas for finding community? I’d love for you to share them in the comments!


bio-pic

 

In love with all things Textiley, Rachel Ann MacGillivray teaches spinning & other things at the New Brunswick College of Craft & Design in Fredericton, Canada.  A farm kid, spinning and wool are in her bones (well, not literally in her bones, that would be just a bit too wobbly).  Oh yeah, and she loves drinking tea.  Like, a lot.

Where Did My Mojo Go?

Lucinda Williams - Yee Haw Industries

Lucinda Williams by Yee Haw Industries

In the words of Lucinda Williams,

” I think I lost it
Let me know if you come across it
Let me know if I let it fall
Along a back road somewhere…”

My spinning, knitting and fiber mojo has left the building. I think about doing things, I make plans to do things, I get things out and even fiddle with them, I pack things to do on my trips but I am not feeling it at all. The only fiber work that gets done is for deadlines, for paycheck work.

I’m not worried, just bummed. I’ve been here before and I know it usually means something is going to break out of my brain soon and I ‘ll know my next creative direction. I’ve watched other people do the same thing. It’s that tick, tick, tick, upward ride on a roller coaster before that first big drop.

My problem is, I am not a patient person. I want to know what’s next. Even as a process person and knowing this is part of my creative process, it’s hard to sink into it. But that’s what I have to do. Here’s what I do when I drop my mojo along a back road somewhere.

Don’t stop. I never stop trying, I don’t give up. For one I still have work to do which means I’m always spinning, knitting, weaving, fibering and writing and talking about it.

Dream. I’m a daydreamer and I like to dream outside. I watch bugs and wonder. I stare at horizons and fly. I float by on clouds or ride leaf down a stream.

Look and listen. I read, I watch, I listen. Books, movies, magazines, tv, videos, exhibits, music, plays, podcasts, I mainline input pretty randomly until my brain relaxes, then I start getting interested in specific things, wanting to revisit something I saw or heard or seeking out something new.

Follow my nose. I follow anything that interests me, anything. I research and try anything that causes the tiniest spark of curiosity in me. This is great fun and how I make connections to things that I’d never thought about putting together.

I get things out. I walk, dance, sing, cook, sweat, talk, laugh, play whenever the mood strikes me and sometimes when it doesn’t. Walking especially unhooks my brain.

Write it all down. I love to write. The physical act of writing soothes me, not to mention all of the pens and paper I have to play with. I keep track of every idea no matter how weird or stale, I have to get it out of my head before new things can pop in.

Stop fighting. Inside my head it sounds like this, “Now!”, “No, not yet”, “Now”, “No”, “Now?” “Nope”. On and on, until I stop fighting it and just give in to the ride.

What do you do to find your mojo?

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