Mixing Things up for a Sweater
words and photos by: Johanna Carter
I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.
Mixing spinning and knitting
The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.
I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.
Mixing colours and fibres
Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.
Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.
When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.
When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.
I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.
I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.
I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.
Mixing breeds
There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.
Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.
My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.
Public Demonstrations and Living Archaeology Weekend
Today we are so lucky because regular PLY contributor Christina Pappas is visiting us on the blog! Read on as she takes us on a virtual tour of Living Archaeology Weekend in Kentucky.

A notice board for rock climbers at the Red River Gorge.
The Red River Gorge in Kentucky is best known as a destination for world-class rock climbing, but during the third weekend of every September it’s better known for something else. For nearly 30 years, Living Archaeology Weekend (LAW) has been held in the Red River Gorge. For two days, demonstrations teach about American Indian and pioneer technologies and lifeways, archaeology, and protecting cultural resources. Friday is reserved for school children, and this past year nearly 1,200 4th and 5th graders participated in LAW. On Saturday, the general public is invited to join in on the fun. Demonstrations range from atl-atl (spear) throwing to long rifle hunting and it’s hard not to learn something new. Most people don’t know how important textiles were in ancient and early historic lifeways, but a group of us at LAW are changing that.

Sunrise at the gorge the morning of LAW.
This was my third year demonstrating ancient spinning and weaving at LAW. I’m still new to this method of demonstrating and teaching; every year feels completely different. The weekend is a whirlwind of activity. My first year at LAW, I assumed this would be like any other event where I demonstrated ancient textile techniques. There would be some polite interest and a few questions, maybe a handful of folks who would want to dig a little deeper into the technique. LAW is anything but. On Friday, the school kids are an explosion of energy and excitement. I always start by asking them what ancient people would have worn thousands of years ago. Animal skins are always a standard answer and I love to see their astonished faces when I show them the soft fabric made from local plants used for clothing. I show them how to twist plant fiber into yarn and then they get to try prehistoric weaving. The boys usually become shy and let the girls take the lead. This year was different. My husband demonstrated the weaving and once the boys realized this wasn’t just ‘woman’s work’, they had as much fun, and success, weaving

My demonstration table at LAW. I have examples of different types of textiles, some plants used for fiber, and a rainbow of color from natural dyes. The colors possible from natural dyestuffs always impresses my visitors. Also note the adorable baby playing in the back.
What makes LAW really challenging is that you only have a few minutes with each group of kids. I have to summarize 40,000 years of textile technology and teach how to make yarn and how to weave in 10-15 minutes. It’s a bit exhausting but in the end it’s worth it. My demonstration breaks so many misconceptions for these kids. Ancient peoples wore clothing as vibrant and interesting as we do that told as much about them as our clothes tell about us. LAW helps these kids learn that the stereotypes about ancient peoples they have grown up with are often wrong. It

My husband Chris demonstrates a type of prehistoric weaving, twining, to school children. The boys always seem reluctant to try the weaving because ‘that’s what girls do’ but seeing a man take the lead on the actual weaving inspired them to give it a go.
I’m not alone in my textile-themed demonstrations. Robin McBride Scott demonstrates basketry techniques that have been used since ancient times. A self-taught basketmaker, Robin has been demonstrating at LAW for 13 years. Like me, Robin has found that the kids at LAW arrive with a lot of misconceptions about the ancient past. She tries to get them to see baskets as tools and not just a decorative art piece on the shelf, how changes in the basket weave can change the strength and use of the finished object, and the role baskets played in our technological evolution.

A great wheel is the show-stopper for kids at the historic spinning demonstration at LAW. Most of the kids have never seen a spinning wheel in person, let alone a great wheel.
LAW has become one of my favorite fiber-related activities all year. It is exhausting, but it’s always so much fun. Demonstrating at LAW has made me really think about what is most important for people to learn about spinning and weaving. When you only have a few minutes of a child’s attention, you have to make sure what they take away from you matters. Knowing that ancient people spun and wove and that the stereotypes are wrong is what matters to me.
Chris is an archaeologist by day and a fiber fanatic by night who is happiest when she can be both at the same time. She lives in Kentucky with her husband, adorable baby girl, and two crazy beagles.
Winning!
Wow. If the last post was any indication, y’all like us and that feels great! I’m proud of this magazine, of the people that work on it, write and design for it, and support it in any way. I feel passionately about what we’re doing and the way we do. And that could be enough. It really could. But the fact that y’all like it too, that it means so much to so many spinners, well, that just fills my heart.
I made a page of the reviews so feel free to take a look. We’re hoping it’ll help influence those that haven’t made the jump yet, to give PLY a try.
As for the random drawing winners, here they are!
Number 1, for the fiber from Wild Hare Fiber, the winner is Becca H. Roy!
Number 2, for the mystery prize from my studio, the winner is Jennifer Hewett-Apperson.
But really, I feel like I’m the winner and whenever I get overwhelmed and stressed, I’m going to push play on the recording I made of Levi reading all those reviews aloud in his sexiest voice.
Give-away: What do you think of PLY Magazine?
Hi everyone!
PLY Magazine has been around for almost 4 years now and it’s going pretty well, I think. We’ve spent some time learning how to make a magazine and then we spent some more time learning how to make it great, but we haven’t focused much on marketing and now it’s time!
The short of it is, our low-ad/good-quality paper/fair wages model relies on subscribers to pay the bills so we need more subscribers. Since people are doing more and more research before they commit to buy or subscribe to something, we need to show them this magazine is worth it! That’s where you come in.
We’re building a review page on the website. If you have a few minutes and would write what you think of PLY, either as a spinner, a teacher, a contributor, or any combination, that’d be so great!
Feel free to post your reviews and endorsements here (with a name we can attribute it to) and I”ll extract them and build the page soon.
Next Friday (11-11), I’ll randomly draw 2 people that gave reviews and send them 1 of 2 wonderful prizes. The first is the fiber from Melissa at Wild Hare Fiber Studio that we used in the gorgeous Traveling Hood designed by Jolene Mosley for the latest issue of PLY. You’ll get 4 ounces of the colorway and 4 ounces of the solid so if you want, you can recreate this exact pattern, all you’ll need is a mysterious cloak and a wandering road.
The second random winner will get something secret, something from the PLY Magazine studio. I can’t say what it’ll be but if you’re a spinner, you’ll want it!
Thanks for all your support and we promise we’ll keep getting better and better
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