Mixing Things up for a Sweater
words and photos by: Johanna Carter
I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.
Mixing spinning and knitting
The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.
I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.
Mixing colours and fibres
Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.
Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.
When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.
When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.
I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.
I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.
I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.
Mixing breeds
There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.
Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.
My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.
Spinning Confession: I Write On My Bobbins
Yes, you read that right. I take a brand new piece of equipment that costs between $30 & $50 and write on it. With a Sharpie. And it keeps me sane. My spinning tools are just that, tools that I use to make yarn.
It took me a long time to finally break down and write on a bobbin. I remember exactly when, too. It was at SOAR in a Kathryn Alexander class on energized singles. We had to spin some singles Z and some singles S. I tried to keep S on one side of my chair and Z on the other, but they kept rolling together.
Kathryn sees my struggle, comes over and says, “Just write on them, with a pencil, S or Z”. I did and have never looked back.
All of my bobbins have been weighed and marked with their empty weight. With that information I can weigh my bobbin mid-spin, subtract the empty weight and know how much yarn I’ve spun so far.
I mark my bobbins for direction of spin, especially when I’m making crepes or cable yarns.
The orange sticker on the Schacht bobbin in the photo is a note to tell me where in a multi-color, multi-ply, multi-yarn project this bobbin belongs.
Storage bobbins get all of the writing love. The one in the photo reminds me that it weighs .65 ounces empty, the yarn on it is Vegetable Medley (from Into the Whirled) and I spun it to chain ply. When I pull it out of my spinning basket I know exactly what it’s for.
I often mark my bobbins with the name of the project, article, sample that the yarn is destined to be since I work on several projects at the same time.
Writing on my bobbins saves me so much time, stress and mental space. I rarely have to play the ‘what’s on this bobbin’ game.
Now I just have to get better at erasing all the project info off of my bobbins when I’m done with the yarn!
My Hero – Mabel Ross
I’ve been thinking lately about my spinning heros. The people who have pushed me and educated me and made me a better spinner
Of course some of them are alive and I actually get to talk to a few of them. Some of them are no longer living, but I have their books and videos.
One in particular has been on my mind a lot. Her name is Mabel Ross. Maybe you have never heard of her. If you haven’t, please look up her work. Her methods may not be for everyone but I love the way she speaks and teaches. The reason I’ve been thinking about her is because when I was at the Palouse Fiber Fest in Idaho in June, one of my other spinning heros, Sarah Swett, gave me a Mabel Ross lap cloth that was signed by Mabel herself! I don’t think that Sarah had any idea how much that little gift would mean to me when she gave it to me.
Mabel’s style can be a little rigid but she has a lot to teach you. She’s very precise. As you can see from the markings on the lap cloth, those lines are there to help you have each draft be a precise length. Mabel loved the math of spinning and she didn’t mind telling you.
There are several books written by Mabel Ross as well as a video which is the first thing I bought of her’s (my first copy was VHS). The video is called Handspinning; Advanced Techniques. This one you can still find at some retailers. The books, as far as I know, are all out of print. But let me give you the titles in case you want to go searching for them.
The Encyclopedia of Handspinning
The Essentials of Handspinning
The Essentials of Yarn Design for Handspinners (this is the most expensive one)
Handspinner’s Workbook: Fancy Yarns (This one is also usually pretty expensive.)
Just keep your eyes open. Sometimes you come accross these books at a bargain. But i feel like they are worth every penny.
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