Mixing Things up for a Sweater
words and photos by: Johanna Carter
I always admire those who are able to spin mountains of yarn for a big project, ready to knit a wonderful sweater or cardigan. It is a satisfying feeling when you finish all that work, especially if you started with washing and combing the wool or even raising your own sheep.
Mixing spinning and knitting
The typical way to work through a larger project is to spin all the singles first and ply them in a particular order so you get the yarn even throughout the whole project. I don’t have so many bobbins, but my bigger problem is that I am quite impatient and want to get on with knitting once I have an idea. And normally, my brain is full of ideas for fibre work and the limit is the time, as I am a musician and teacher. I can’t sit at the spinning wheel for a long time if I’m not on holiday, so during the school year I mostly knit, and during the holidays I can dye, spin, use my drum carder, and do lots of fibre work. The only time I was able to produce bigger quantities of yarn before I knitted them up was during the Tour de Fleece in the two years during the pandemic, when we did not go on holiday at the beginning of July.
I like to finish knitting one big project like a sweater or cardigan before I start the next one, or at least until I can’t carry it in my bag easily anymore, so I have an excuse to begin the next one. Sometimes it is good to have a second project on the go – I call it mindless knitting, where I don’t have to look very much – which I can keep my hands busy during Zoom or other meetings, which helps me listen.
Mixing colours and fibres
Usually I dye my yarn with plants which I collect in the woods or get from garden flowers. I also use cochineal and indigo, which I buy, to get lots of different colours. I really love the greens and blues I get from dyeing with indigo. I have lots of dyed wool, and all those colours give me inspiration for further projects.
Blending the wool on the drum carder I can get even more shades. I like to blend with fibres like silk, alpaca, or plant fibres, and I love sari silk, to get those little bits of colour in my yarn.
When I have an idea for the next sweater, I start carding, and then I can begin to spin. Once I have spun enough yarn – say, for one day – I cast on and start knitting, usually top down, so I don’t have to decide too much in advance about length and width.
When I spin on my wheel, I have to sit at home, but while spinning I can read a book or talk to others during online meetings. I also like to spin on my spindles, and that works on a walk, or a museum visit. I take them on holiday as they don’t need much space, and when I spin for a lace shawl, I don’t even need much wool either. At home there are spindles all over the place; I can spin when I am waiting for the kettle to boil, when the computer is slow, when I am cooking. Like that I can make good use of a short time and the yarn still grows.
I can take my knitting almost everywhere, which is why I don’t want to wait to get started until I have spun all the yarn for a whole sweater. I knit at home, on the bus or train. The only thing I have to make sure of is to be one step ahead with the yarn.
I love to knit Fair Isle sweaters. My favourite method is to use only one bobbin, which I don’t even fill, because I need smaller quantities of lots of colours. Then I wind a ply ball and ply it on itself. For that I put my thumb through the ball, so I can tension the two singles with my fingers and they don’t get tangled, as long as my thumb (or a cardboard roll or a pencil) stays in the middle. I don’t have any leftovers from plying, and it is quick when I suddenly need more yarn.
I have never had problems with the yarn not being consistent enough throughout a project. I just know what yarn I want and my fingers seem to remember what to do. I am sure it is good advice to have a little card tied to the spinning wheel with a bit of the singles you are aiming for, so you can check and make sure you are spinning a consistent yarn.
Mixing breeds
There are so many different breeds, but some of my favourites are Shetland, BFL, and Jämtland – a Swedish breed. After dyeing them, I often forget what I have used, so when I do a new project it often turns out that I have used different breeds and fibres just to get the right colour. For the Fair Isle knitting I want to juggle lots of colours, which is more important to me than making a sweater out of only one breed.
Recently I made a pullover for my husband using about 12 different breeds and colours, even mixing short and long draw. For me it was a breed experiment and a way to use up lots of smaller quantities of wool I had in my stash. For that sweater I used combed top without blending.

Mixing in knitting during the spinning process is a wonderful way for a spinner to avoid being overwhelmed during a sweater project.
My feeling is that some people don’t dare to start spinning for a bigger project because they get overwhelmed by the quantity they have to spin and then all the knitting there is to do, especially when you want to spin the yarn entirely on spindles. Mixing the spinning and knitting for the same project is more interesting; you get more variety and more freedom to choose what you want to do next as long as you don’t run out of yarn. It breaks the project down into smaller, less daunting parts. The only thing you might want to plan is to have enough fibre at the start, but even that is not necessary, there is always a sheep growing more wool.
Rhinebeck Sweater?
I’m leaving for New York in less than a week. It’s the New York State Sheep and Wool Festival. I’m excited to see the festival. I haven’t been able to see the festival on my own terms for years and I’ve written myself a little schedule. I did leave some open spaces in case somebody wants to meet up with me for a snack or something.
Anyway, I’ve been thinking for many months that my favorite sweaters are looking a little ratty. My two favorites have been repaired several times. The one called Hiro has ripped at the neck a coouple of times and I just do a bit of a crocheted edge and put her back together. The one that I made from a Jacob fleece has gotten several holes and so I have started embroidering flowers over the holes; a sort of visible mending.
Those repairs are working but for crying out loud I need a new sweater. Yes I have other sweaters…but another one of my favorites, Tappan Zee, also has a hole that I have yet to repair. Hiro is about 3 years old, the Jacob is probably 4 years old and Tappan Zee is maybe 5 or 6 years old. Even without the holes and things I would still need a new sweater. And it’s not like I haven;t been spinning! Lots! But that’s all for weaving the next skirt.
So, anyway, I was digging around in my stash and I came across a cotton project bg from Cooperative Press. When I looked inside there was a handspun sweater that was well under way! I totally forgot about it. I immediatley remembered why I had put it aside. I was looking for a sweater with certain attributes a couple of years ago and my friend, Amy King, offered to design a sweater just for me. And she did! And so I started knitting but then I was a bit confused about an instruction on the left front…and I stopped.
I called Amy! She found her electronic copy! She answered my question. Now I’m moving forward. The body of the sweater is finished and I’m working on the first sleeve. But I have another issue. The yarn is made from BFL/Silk that was specially dyed for me – also by Amy King (Spunky Eclectic) I have no more to spin and I think the sleeves are going to be tight and I still have edgings to do…
After all of that explanation, here’s the question, if I knit faster, will it make the yarn go further?
Twist – A Fiber Festival with a Little je ne sais quoi
Guest blogger Sarah Jean Harrison returns to take us on a trip to the Twist Fiber Festival in Canada! This event is Quebec’s only fiber (fibre, if we’re being precise!) festival, and the only bilingual fibre festival in the whole country.
Are you planning on visiting Rhinebeck’s New York State Sheep and Wool Festival this year? Or perhaps you made the trip to the Maryland Sheep and Wool Festival in the spring? Did you spin your heart out at Ply Away?

The rug hooking workshop at Twist gets underway.
Credit: Sébastien Lavallée
If you’ve been to a fiber festival, you can imagine the intense of amount of work that goes into delivering a successful event. From organization to location, from logistics to communications, from vendors to visitors, all of these pieces must be pulled together into one, cohesive whole. And ideally that cohesive whole comes with a particular je ne sais quoi, a little extra something that gives a festival its personality.
How does a festival acquire a personality? The answer, I have discovered, often comes from a festival’s creator.
Twist – Quebec’s Only Fibre Festival
This August I visited Twist Festival de la Fibre/Fibre Festival, Canada’s only bilingual fiber festival, in St-André-Avellin, Québec. Launched in 2011 by Amélie Blanchard, a hand-spinner and farmer raising cashmere goats on a small farm outside of St-André-Avellin, Twist is quickly gaining a dedicated following of fiber artists, vendors and attendees.

Amélie Blanchard with Fiber Artist, Heather Gwah Lightbody Credit: Sarah Jean Harrison
After a couple of years on her farm, Amélie looked around Québec and discovered precisely zero fiber events available within her province. While festivals were growing in popularity in Ontario and certainly in the USA, there was nothing available in Québec.
Amélie, like so many entrepreneurial fiber artists today, was unwilling to simply bemoan this hole in her local fiber universe – she had to do something. Her answer was Twist, a festival reflecting today’s modern taste in fiber and feeding the growing desire in Québec (and the world) for access to local fiber and the pursuit of textile and fiber education.
Starting a fiber festival, as Amélie discovered, was not as simple as it sounded. Launching the first Twist took a year and a half of research, planning and organization. At first, says Amélie, local business owners and potential sponsors were skeptical. “They looked at me like ‘who is this crazy yarn woman with this crazy idea?’”, she recalls. But her persistence and her solid research were undeniable.

: Many of Twist’s workshops and seminars are provided in French and English.
Credit: Sébastien Lavallée
Eventually, the Twist team took shape, bringing Amélie’s friends and neighbors on board and drawing upon local businesses and resources to fill the multitude of roles and tasks needed to get the festival off the ground. Volunteer committees were struck, sponsorships were secured and quality vendors were chosen. In August of 2011 the inaugural Twist opened its doors with a foot-fall of 4,000 people over the weekend.
A Bilingual Festival
Amélie, who was born in Ontario to a French-speaking family, is a francophone with one foot in the English-speaking world. While some might see the challenges of holding a festival in two languages as a problem, Amélie has deftly turned this challenge into the festival’s defining characteristic.
Her vision for Twist was a festival that pulled French and English speakers together over their shared passion for fiber. All written materials, from programs to signage, are provided in both languages. Classes and workshops are often offered in a bilingual format, either with a bilingual instructor or via English and French sessions.

Two knitters working on the fly at Twist.
Credit: Sarah Jean Harrison
Although St-André -Avellin is a francophone community, being only an hour north-west of Ottawa near the Ontario-Quebec boarder means that both languages are regularly heard in the streets and cafes. As an English-speaker with rudimentary French capabilities, I was welcomed warmly by the community and found the language barrier to be easily navigated. In fact, I left the festival with new francophone fiber friends, a handful of new French fiber-related vocabulary, and the feeling of being excited and inspired to learn more.
That je ne sais quoi
Wander around the booths and workshops and it quickly becomes clear that Amélie’s bilingual perspective is what gives Twist its je ne sais quoi. Her enthusiasm for bringing people from French and English backgrounds together over a mutual love for fiber makes for a lively and fun atmosphere that attracted 20,000 people this year.
Where else can you see folks acting out the word “soft” or clapping their hands with excitement when they discover they are both speaking about the same type of mouton? Because ultimately, when it comes to fiber, we’re all speaking the same language.
Raised on a farm and living in the big city, Sarah Jean Harrison is a digital artisan who specializes in translating rural realities for urban audiences. Through storytelling, photography and web design, Sarah Jean supports farmers and makers in sharing their unique story with an online audience. Sarah Jean loves to connect and can be found on Instagram and Twitter at @peaceflaghouse and at www.peaceflaghouse.com.
It’s time for Spinzilla!
Amy Ross Manko is here to kick off one of the biggest events of the year for spinners: Spinzilla!
What are your plans for the first full week of October? My plan, and the plans of 77 teams of up to 25 spinners each, is participation in a fun event called Spinzilla. Spinzilla is a week of spinning for fun, challenging yourself and friendly competition. Last year’s teams were made up of spinners representing fourteen countries from all over the world, who come together for this annual event to raise money to support The National Needlearts Association’s initiative to bring the fiber arts to youth through the Needle Arts Mentoring Program. Spinners of all levels celebrate the joy of spinning yarn by hand, support local small businesses and aim to “spin enough yarn to reach around the world,” according to the Spinzilla website. Spinning begins at 12:01am Monday, October 3rd and ends at 11:59pm on Sunday, October 9th in whatever time zone you are in. This week has traditionally been known as Spinning and Weaving Week, and Spinzilla is a great way to celebrate it!
This will be my fourth year on a Spinzilla team. Year one, I spun for a local yarn shop’s team and had no idea what I was doing as a new spinner. I made some yarn and had some fun, but didn’t really understand what I was doing (or why!) so I just kept spinning all week and felt pretty good about myself at the end of the week.
The second year, I joined Team KnitGirllls and spun my personal record of over 5000 yards in a week, and had a blast doing it, too. I was PUMPED and we were sure that we would win. At the end of the week when the final tallies were announced, we had lost to Team Fancy Tiger Crafts by about 800 yards of yarn. Literally one skein separated us from the first place team. We were devastated. We all felt we could have spun just one more braid and changed the outcome. We all vowed to increase our production by one braid for next year and try again. After all, it’s all in good fun and for a good cause, right?
The third year, Team KnitGirllls was determined to spin more than ever and finally win the coveted Golden Niddy Noddy (yes, that’s a thing… I’ve seen it and it’s MAGNIFICENT) for Leslie and Laura. We got to work spinning more yardage than ever and keeping our eyes on the prize! At the end of the week, I’d spun a new personal record: over 6000 yards of yarn. This HAD to be good enough for victory, right? Nope. Team Louet North America blew us completely out of the water with 271,607 yards! One of their team members spun over 48,000 yards herself. We finished in third place with just over 183,000 yards. This was definitely nothing to feel badly about, but nearly 90,000 yards less than the winner.
After that, I vowed that this year would be different. I’d remember what Spinzilla is all about and spin for fun and fellowship. No pressure. No numbers. No drive to win. I formed my own team here in our hometown and partnered with a local maker-space to host a registration party with a batt-making bar, spin-ins, wheel tune-up parties, “closing ceremonies” and a plan to just enjoy each other’s company and share our love of spinning with others. This is what I’d been missing most alone in my living room, binge-watching reality television and spinning away. This is what Spinzilla is all about: sharing our love of fiber with other fibery folk. Our team boasts both seasoned veterans and newbies, wheel spinners and spindlers and even a sixteen year old young woman!
Whether you spin “rogue” alone in your room, join a team (virtual or in real life) or watch from the sidelines, I can tell you one thing: Spinzilla is the most fun you’ll ever have making yarn and raising money to support the youth-mentoring programming of TNNA. Last year they raised $17,700 while spinning 5,246,497 yards of yarn.
Please visit www.spinzilla.org for more information or to register for a team. (Team PLY is full already, but there are plenty of other great teams to join!)
Amy Ross Manko is the Chief Executive Farmer of The Ross Farm and with her husband, “Scooterpie the Shepherd Guy,” and their son, lives on a 170 acre sheep farm in Southwestern Pennsylvania that’s been in her family over 120 years and is on the National Register of Historic Places. They raise ten breeds of Heritage and Rare breed sheep and produce natural, breed-specific yarns and roving from the flock.
Leave a Reply
Want to join the discussion?Feel free to contribute!