Last week Jillian spoke beautifully about rejection. She said it all perfectly. I agree with every feeling.
Today I thought I’d talk about my process of writing an article after the joyous news comes that my article idea has been accepted. This is the way I go about things and I happen to know that Jillian’s process is completely different than mine so ask her to tell you how she works.
OK, so when I submit an article idea for consideration I have an idea about how the yarns will look if I use a certain spinning method and I often want to talk about the technical details about how to get to the final yarn. That’s usually all I know and more often than not, I don’t have samples to back my words up.
When I write I need to have the yarn and swatches sitting right next to me so I can feel them in my hands. If I get stuck I pick up the samples and sniff them, hug them, feel them, rub them, anything that will get a littel spark going.
What that means is that all or most of my samples need to be spun before I start writing. What that also means is that I need to have a pretty good idea of what I want to show. I’m not great at writing detailed outlines. So for articles I usually just have a short paragraph that I’ve written to give me some idea of where I’m heading and then I choose fibers and spinning techniques that will get me there.
For example, the article in the Leicesters issue, I knew that I was limited to the three Leicesters and my article was about spinning for softness. Of course I wanted to choose the most coarse Leicester to demonstrate what I do so English Leicester was the choice (aka Leicester Longwool, or Dishley Leicester)
After I choose the fiber then I choose the wheel that will do what I want most easily. Often that is my Schacht Matchless. I can treadle pretty slowly and count treadles or whatever I have to do to make the yarn exactly what I want on that wheel. My other wheels have much larger drivewheels and I usually choose one of them when I want to get the work done fast and I don’t have to slow down so I can describe the process later.
This was actually the same process I used for writing my book. I had an outline which really was just a list of chapters. I wrote the breeds I wanted to use for each chapter under each heading and started spinning. Spinning for that project took about 6 months with 6 months of writing following the spinning. But having all of the samples right near me for inspiration was the greates thting I could have done for myself.
Right now I’m almost finished writing an article for the Singles Issue of Ply that’s coming up. It’s due in 5 days. I think I can make it because I have my samples.